Year: 2014

Happening in Tokyo / Re: A universe of artists to Re:discover

http://www.galleryartcomposition.com/en/ The group show will display pieces from these young artists that the Tokyo art gallery, namely Gallery of Art Composition, has worked with, and it will feature some works that have been represented overseas but not in Japan before. Takaya Nakamura’s planets were shown at the New City Art Fair in Chelsea, New York City in March of 2014. The painter has graduated with two respective degrees in Japanese painting form Kyoto, and has worked three years in New York assisting Hiroshi Senju. His planets were effective in New York art fair next to Haruna Sato’s detailed paintings that show human babies with delicacy. Sato’s works were captivating and sending a powerful message when joined together with Nakamura’s universum. As if asking, where the future of our humanity will be? The round shape of the universe also comes forth with Ayako Fujimoto’s colorful globe. The surface displays energy and contrast. The artist tells how the shape takes form with emotion: I feel in myself swirling a clash of passion and impulses. At the time …

Julian Stanczak’s color energy

If you can imagine color energy that bounces back from the walls with blues, reds, greens, and yellows with prismatic and subtle intensity that resembles music, Julian Stanczak’s paintings are for you. The seasoned painter at 86, believed in the power of the abstraction, and in the musical inspiration in his art-making, as he posed in front of his painting during the opening of his solo-exhibition in New York. Stanczak’s exhibition ‘From Life’ is now on view at the Mitchell-Inness & Nash -gallery and will run until December 6. As a young boy, the painter had wanted to be a cellist, and transferred his emotive passion into his paintings. Even a recent work from 2011, titled as ‘Proportional Mixing’ (2011), still handles colors in abstract modalities like in musical compositions. The gallery’s first solo exhibition of Stanczak’s work comprises of a dozen large-scale paintings from the 1960s to the present, including works that have not been seen in the public view for decades. Now on view are artworks, in which the colors are arranged in …

Artist profile: Man Yau

Man Yau is a Helsinki based artist currently living in New York City. Her art and design philosophy comes from craftsmanship, which means exploration with different materials. She collaborates genuinely with other designers and artists. Most recently, she exhibited @TheHoleNYC together with two other Finns, Jesse Auersalo and Nina Merikallio in their show called “Dislocation”.  Man says that having so many idols and mentors in her life makes it impossible to start with a particular list.. But I do love a mark that Ettore Sottsass has left to the design history, I recently experienced a wonderful show by Daniel Leyva, Toshio Matsumoto’s “Shift” is better than weed, and streaming with my brother is always encouraging. -Man Yau FIRSTINDIGO&LIFESTYLE: How would you describe your medium, intersection between art and design, using traditional materials to convey popular topics or trends?  MAN  YAU: Firstly, the intersection between art and design, what does it mean nowadays anyways? I feel that the borderline between art and design has been crossed, and more and more experimental design objects or functional art …

Teresa Dunn’s Event Horizon at First Street Gallery

Teresa Dunn is a Michigan-based artist whose narrative paintings on panel explore worlds with texture and complexity. Her recent paintings, now on view at First Street Gallery in New York City, are full of figures who are confronting points of no return. The strong exhibition title Event Horizon displays works full of ‘tightrope walkers’, burning boats, exposed flesh and rising waters; all this as if the settings create dreamlike atmospheres. The narratives put the characters and their motivations in tests when they look into the incongruous landscapes around them. The works are full of story, where mothers and fathers, animals and children, friends and strangers interact in tightly woven communities. The paintings depict absurdity and metaphorical allusions. Together the works link into each other, and so rearrange the reality in a new order. As the artist states: Peculiar reality becomes normal, as in dreams or memory. Amidst bizarre sequences of events, dreams are believable when we are immersed in them. Memories distort, dissolve, and rearrange themselves until we are unable to discern fact from invention. …

Japanese Nakajima Mugi paints blue on blue

Japanese artist Nakajima Mugi’s works open into a world of intense color and detail, and are filled with nuances and interactive play around the hues of the natural world. The artist often thinks and displays his works in pairs, as a group of three, or even in large groups on the wall. Putting the art pieces together changes the atmosphere of the space. What attracts me in his style is probably the technique of letting the color drop on canvas while in the process, which results in a possibility of chance, or accident. Yet the control of the colors and their order in the palette is made by the artist who masters the materiality of his vision. A series of paintings ‘blue on blue’ represents chaosmos paintings which are abstract (chaosmos: chaos and cosmos). The vivid colors of acrylics show off the surfaces of plastered paint. The ‘cosmos’ means order where accumulation of drawings create an entire landscape. The outcome comes close to patterned design textiles that expose bold attitude. Japanese and Finnish design and …

The Thing Itself -photography exhibit at Yancey Richardson

The Thing Itself is a summer group exhibition currently on view at Yancey Richardson Gallery in New York City.  Photography is explored as a medium and a subject matter in this show that runs from July 10 until August 22, 2014. As a medium, photography has gone through multiple changes. A change with technological advances occurs whilst there is an ever-increasing movement towards digitization and democratization of our visual cultures. The culture of images, social media’s advancement in the digitization of our social practices, and the media communication has lead to a state where ”there remains almost no materiality to the medium as film, darkrooms, and paper”, they technically recede into obsolescence. Naturally, the artistic response can be many whilst our visual cultures stand for self-reflexivity. But the photographic practices also vary. In The Thing Itself –exhibit, there are works from 16 artists: Mary Ellen Bartley, Anne Collier, Sara Cwyner, Roe Ethridge, Bryan Graf, Bill Jacobson, Kenneth Josephson, Laura Letinsky, Matt Lipps, Vik Muniz, Paul Mpagi Sepuya, Alyson Shotz, Laurie Simmons, Wolfgang Tillmans, Bertien van Manen, …

Frieze NY2014: reading sculpturally sensuous terms

Philosopher Gilles Deleuze has suggested that among the arts, sculpture presents perhaps best those qualities that are materially sensational. The sensation of stone, metal and marble vibrate according to strong or weak beats. Then, there are protuberances and cavities in the material that resonate with each other. The set-up of the sculpture with large empty space between the groups, or within a single group, makes it that one no longer knows whether it is the light or air that sculpts or is sculpted (Deleuze: What is Philosophy).   Sensations attached to the materiality in sculptures relate to ideas of tactility (perceptible to the touch; tangible). Our experiences of materiality has shifted, as 21-century cultural landscapes keep molding our tactility through complex body-digital technology relationships, changing our imagination of the virtual spaces. Contemporary sculpture is reflecting some of these shifts, showing powerfully the time beyond the current, the moment at hand. Among some of the interventions, Frieze 2014 in New York City paraded a loss of the technological overrule. The disengagement from materiality at large, was …

Artist spotlight: Hiroaki Umeda discusses his recent works

Japanese contemporary choreographer Hiroaki Umeda recently presented his new choreography Peripheral Stream with L.A. Dance Project at Théâtre du Châtelet in Paris. in 2013, he worked with an ensemble of 11 dancers from GöteborgsOperans Danskompani in Sweden. In the piece, Interfacial Scale, Umeda created the choreography, set, costume, light and sound design. As well as being a choreographer and dancer, Umeda is a visual artist, photographer and video artist. He established his own company S20 in 2000. Umeda has entered the international scene with his multimedia performance works that employ his own body and self-created video images, music and lighting designs. These are recorded on a single notebook computer. (On the video Hiroaki Umeda talks about the Interfacial Scale which he created for the GöteborgsOperans Danskompani in Sweden in 2013) Since he first drew attention at the 2002 Yokohama Dance Collection R, Umeda has gone on to win praise of dance professionals around the world for the way he wraps his improvisational body movement in intricately woven spaces defined by light (video) and music with the beauty …

Bortolami gallery’s exhibit shows 3 x minimalist encounters

Bortolami Gallery is one of the most innovative galleries in Chelsea’s vibrant art district. Currently it is hosting an exhibit for three artists who share an approach of minimalism. An exhibition is curated by Christine Messineo, and is titled in a punctuating manner: ”ANN VERONICA JANSSENS, KITTY KRAUS DANIEL STEEGMANN MANGRANÉ First lines, like first dates, or the first bite of dessert, can be deceptive.” Even if the works would not seduce you at the first glance, spending some time with the installation and connecting pieces, might make you fall in love. Stepping into the space, which itself is a constellation of whiteness, concrete floors and strong ceiling lights, puts you into a certain mood. The space tunes to receive the immaterial lightness of some works. On the other hand, some pieces makes you investigate your own perception. The exhibition title is taken from a text by Ann Beattie. She handles a theme of difficult of beginnings, asking where to start. If the beginnings can remain elliptical, the encounters may be unstable. A curatorial choice …

CHEN Wei’s post-Chinese realities in photography

Two international galleries will present Beijing-based photographer CHEN Wei’s works this Spring, starting on April. Hong Kong-based Gallery EXIT hosts Chen Wei’s second solo exhibition with the gallery, which opens on April 4th. Gallery EXIT was established in 2008 aiming to focus on artwork that is controversial, progressive, and representing all media. Chen Wei will present a selection of his photographs, light-boxes and installations that feature the inherent and dissonant contradictions between expectations and reality. Carefully staged and narrated frames show fragments of personal memories and fantasies. His compositions imply hidden symbols telling about contemporary realities, and marking histories. Additionally, Chen’s first solo exhibition in the UK will be Slumber Song. It opens in London at the end of April at Ben Brown Fine Arts. Chen Wei belongs to a new generation of emerging Chinese artists who depict a more diverge approach to the culture than previous generations, as they come after the Cultural Revolution era. Rather than critiquing the historic past, he uses photography as a vehicle to capture human encounters with a changing and …