Month: March 2014

CHEN Wei’s post-Chinese realities in photography

Two international galleries will present Beijing-based photographer CHEN Wei’s works this Spring, starting on April. Hong Kong-based Gallery EXIT hosts Chen Wei’s second solo exhibition with the gallery, which opens on April 4th. Gallery EXIT was established in 2008 aiming to focus on artwork that is controversial, progressive, and representing all media. Chen Wei will present a selection of his photographs, light-boxes and installations that feature the inherent and dissonant contradictions between expectations and reality. Carefully staged and narrated frames show fragments of personal memories and fantasies. His compositions imply hidden symbols telling about contemporary realities, and marking histories. Additionally, Chen’s first solo exhibition in the UK will be Slumber Song. It opens in London at the end of April at Ben Brown Fine Arts. Chen Wei belongs to a new generation of emerging Chinese artists who depict a more diverge approach to the culture than previous generations, as they come after the Cultural Revolution era. Rather than critiquing the historic past, he uses photography as a vehicle to capture human encounters with a changing and …

Christy Rupp’s animalistic art

Christy Rupp was presented at VOLTA NY’ 14 by Frederieke Taylor Gallery. The artist who is known for her 1980s public art projects, was at the art fair with her new work that raises questions about environmental threats and issues around wild animals and nature. One part of her presentation was a series of sculptures around microfauna from the Gulf of Mexico; artworks are made from welded steel and encaustic wax.  In another series of sculptures (images above), Rupp explored the relationship between ivory and energy. These were made in response to threats coming from drilling, addressing also accurate issues around poaching. The artist has made sculptures called ‘The Fake Ivory Series‘ (welded steel and encaustic wax) pointing that wild animal spices are threatened to extinction as they are poached for their tusks. The art stands for trophies as desired objects that include animal parts such as ivory.  Scrimshaw or tattoo-like scribbles on them make comments on the value placed on energy over life. The sculpture ‘Walrus‘, 2014, a mixed media work with credit card …

Erwin Redl: ‘InMotion’

Erwin Redl had his recent exhibition InMotion at Bitforms Gallery in New York City. He is known for works that emphasize perception, architectural space, kinetic elements, LED-installations, social space and corporeality. The Ohio-based artist visited the gallery himself, and spoke to visitors during the Armory Show week in March. It was fascinating to see how the ping-pong balls rise into the glass pipes in different rhythms making a specific sound-effect. Redl told that his background is in electronic music, which makes perfect sense. The glass pipes of ‘Levitate’ sculpture also reminds of an instrument like organ. It takes an entire wall, and has thirty-one vertically suspended glass pipes. Each of them has a fan installed on the bottom to propel a ping-pong ball up. The fans are then synchronized to create sequences. Acoustics in the small room is amazingly intimate fitting for the works. Another incredible installation was ‘Breath of Light’  that is composed of structures each having nine acrylic plates on them. The installations hang in the air and reflect beautiful configurations with green-colored …

VOLTA NY 14: art speaks back from the walls

Jennifer Wynne Reeves creates collages on boards that some include wire, some hair or feathers, and some thick applications of paint. This approach could by no means represent flat wall art. The dimensionality makes the art continue in space. Objects and paint are not decorative art either, but there is something folk-art in them; or retrospectively ”American” influences. These works suggest, as one work is titled, voluptuous meanings that are material, sensuous and touchable. Reeves writes as part of her artistic practice. Writing collide with personal meanings, and is symbolic in nature. Her statements, or poems end up being part of the artwork itself. The artist was presented at the VOLTA by New York City gallery BranvinLee programs. The art presented at the art fair spoke about her illness, which is also reflected in her writing: I think I might not be alive to go to my opening next September. I think I should rush to finish things. I wonder why my body is doing this or that. I think Christmas will be long. I …

Volta NY 14: Inzilo by Mohau Modisakeng

South African Mohau Modisakeng’s beautiful video Inzilo was an eye-catchers at VOLTA NY 2014. The slow-motion video opens up a theme of mourning from a personal point of view. Inzilo is a word that ”refers to a practice in some South African traditions around the loss of a loved one characterized by a period of mourning.” Dressed only in a piece of black garment and a hat, Mohau, as a solo performer goes through a process where he transits from one stage to the next. Sitting on a chair motionless, he first looks ethereal both arms stretched on his side, as the camera rotates slightly around the white room. Then he starts scattering, picking pieces of the burnt fabric (in this case wax) and ash from his hands. Gradually, it appears that as layers of burnt go, a new skin is revealed. The camera shows close-ups of his hands and feet covered with debris. Eventually, head bent down, he decides to get up, shakes and throws the remained pieces with a dust cloud in the …

VOLTA NY 14: Simeen Farhat’s ‘Alice’ and the language puzzles

Pakistani-born, Dallas-based artist Simeen Farhat has taken a classic novel ‘Alice’s Adventures in Wonderland’ as a starting point for her new installation for VOLTA NY 2014 edition, which ran from March 6-9 in Soho. VOLTA is called as ‘invitational solo project fair for contemporary art’, so Farhat’s solo exhibition was equally presented by a gallery who is already endorsed multiple times by the fair. Her exhibition, curated by Christine Pfister of Pentimenti Gallery from Philadelphia, emphasizes a materiality of the language puzzles. The artist is known for creating poetic works with dimensionality and message, that come with the use of different languages and ways of communicating in our cultural encounters. This time, her colorful and even candy-colored sculptures and installation speak about the problematic nature of cross-cultural communication, showing the emotions and frustrations that are attached to the rules of using our languages. Farhat’s previous works have drawn from such languages as Farsi (RUMI poetry) and Urdu. Text used around the ”Alice” installation is English. The immediate surface of the words come across as part of …