Month: May 2014

Frieze NY2014: reading sculpturally sensuous terms

Philosopher Gilles Deleuze has suggested that among the arts, sculpture presents perhaps best those qualities that are materially sensational. The sensation of stone, metal and marble vibrate according to strong or weak beats. Then, there are protuberances and cavities in the material that resonate with each other. The set-up of the sculpture with large empty space between the groups, or within a single group, makes it that one no longer knows whether it is the light or air that sculpts or is sculpted (Deleuze: What is Philosophy).   Sensations attached to the materiality in sculptures relate to ideas of tactility (perceptible to the touch; tangible). Our experiences of materiality has shifted, as 21-century cultural landscapes keep molding our tactility through complex body-digital technology relationships, changing our imagination of the virtual spaces. Contemporary sculpture is reflecting some of these shifts, showing powerfully the time beyond the current, the moment at hand. Among some of the interventions, Frieze 2014 in New York City paraded a loss of the technological overrule. The disengagement from materiality at large, was …