Month: September 2015

Loud power of art: don’t be silent

Dan Flavin’s fluorescent sculptures are ‘situational’ in a way that they get their appearance in relation to the context and space on which they are displayed. His sculpture installation untitled (to Helga and Carlo, with respect and affection), reflects blue light with immense presence. When the spectator walks through the installation path she sees the surroundings as altered moments taking in her own reflection on the floor. But why is Flavin’s work so important? The question arises because Flavin’s minimalist art has drawn on a plenty of attention at the Hirshhorn Museum and Sculpture Garden in DC. The work extends more than ninety feet in size and is paired with the wall-mounted piece monument, which consists of white bulbs inspired by constructivist art. The first installation of the untitled was at the Kunsthalle Basel in 1975. It speaks about architectural difference and boundaries. The sculpture-series recreates the architectural environment, it sets barriers making the room where the continuum is installed to appear as an infinite of the sculpture itself. And it creates a path in …

Dance meets art at Loretta Howard Gallery

Yvonne Rainer’s work Trio A (1966), is one of the most enchanting dance pieces of dance history that paved the way to contemporary and postmodern dance practices. It is an interesting choreographic work, not least because it is exhilarating from pure performance and performer points of view. How many times do contemporary performers get immersed in new projects, where choreographers and directors inquire effortless, non-virtuous task-oriented movements and behavior to use them as backbones for their pieces. This in fact is not so easy to accomplish at all. As what performer goes through is not so much about ‘performing’ from a merely audience seduction point of view, but follows more a neutral way of not-doing too much. This might sound complicated, but makes all sense when in dance the performers start tapping the space, letting their bodies organize the way through the space. The inheritance of this type of movement in dance, a meticulous way of appearing happens sometimes simultaneously in conjunction to things and objects. In sculptural and spatial terms, the dancer is like …