All posts filed under: african art

'Speak Out' -exhibition installation view.

Curator Dalaeja Foreman’s recent interventions

Dalaeja Foreman is a curator, community organizer, first generation Caribbean-American and Brooklyn native. Her curatorial practice seeks to combat misconceptions of oppressed people and resistance through direct action, cultural esteem and the arts. She is a graduate from the Visual Presentation and Exhibition Design program at the Fashion Institute of Technology. Dalaeja is also alumni of No Longer Empty Curatorial Lab 2015. In January-February 2016, she co-curated a show ‘Speak Out’ for the BronxArtSpace. The exhibition addressed legacies of injustice and practices of institutional racism, offering alternative views and acts of empowerment for the artist in their communities, creating realities that affirm that #BlackLivesMatter. Firstindigo&Lifestyle: You co-curated a show ‘Speak Out’ for The Bronx Art Space. Could you tell about the roots for establishing that collaboration? Dalaeja Foreman: That I have! Alongside Linda Cunningham and Eva Mayhabal Davis. After working with her on a No Longer Empty curatorial fellowship exhibition, Linda (Director of BronxArtSpace) asked me if I would be interested in co-curating an exhibition she was conceptualizing. An exhibition about institutionalized racism, as a white …

Interview: ruby onyinyechi amanze, drawings on paper

ruby onyinyechi amanze embeds a notion of scholarly artist in a true sense. Next to her large drawings on paper stands a mind that is influenced by spatiality in a geographical sense. The artist employs a design sensibility that gives her drawings variable perspectives. ruby amanze completed her art degrees, worked in art institutions, and as the Director of Education at the Museum of Contemporary African Diasporan Arts (MoCADA). She was a Fulbright Scholar teaching art at the University of Nigeria, Nsukka in 2012-2013. Currently, while still teaching art, her artistic practice evolves in a studio located in Brooklyn, New York City. Firstindigo&Lifestyle: It is fascinating how you translate the theme of hybridity into formations with so much vivid color and fluidity. Do you think this resonates with the fact that you were transferring between various continents? ruby: Most definitely. There is a way of being and moving in space, that I feel is unique to the experience of having come from many places. Automatically, there is less permanence associated with land (geography) or a …

Clay Apenouvon’s Film Noir de Lampedusa

Artist Clay Apenouvon has created a new installation Film Noir de Lampedusa for the Paris Climate Conference COP21, which begins the last week of November. The work is a memorial to the thousands of migrants from Africa and the Middle East who arrived across the Mediterranean to the safety of Europe in makeshift boats and rafts. Installation, which was commissioned by the Église Saint-Merri, (Church Saint Merri) in Paris, consists of extended plastic film with various objects that are assembled into a “Museum of Silence”. Apenouvon was born in Togo, West Africa. His new art installation traces back the memories of those that are lost forever beneath the waves. Throughout his career, he has worked with painting, graphic design and screen-printing. He has explored different materials, for instance cardboard using it as a physical material and as an artistic medium. The cardboard has been used as a symbolic material to address issues of packaging. Then, Aponeuvon created a concept Plastic Attack, which raised awareness of the dangers that plastic poses to the environment on a global …

Volta NY 14: Inzilo by Mohau Modisakeng

South African Mohau Modisakeng’s beautiful video Inzilo was an eye-catchers at VOLTA NY 2014. The slow-motion video opens up a theme of mourning from a personal point of view. Inzilo is a word that ”refers to a practice in some South African traditions around the loss of a loved one characterized by a period of mourning.” Dressed only in a piece of black garment and a hat, Mohau, as a solo performer goes through a process where he transits from one stage to the next. Sitting on a chair motionless, he first looks ethereal both arms stretched on his side, as the camera rotates slightly around the white room. Then he starts scattering, picking pieces of the burnt fabric (in this case wax) and ash from his hands. Gradually, it appears that as layers of burnt go, a new skin is revealed. The camera shows close-ups of his hands and feet covered with debris. Eventually, head bent down, he decides to get up, shakes and throws the remained pieces with a dust cloud in the …