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art education&management interviews music

Jason Carter builds bridges through Music

I interviewed Jason Carter, a Harp guitar adventurer, who was born in UK, is a World citizen and celebrating his birthday this week. Jason has exiting new adventures coming up. And just a bit about the World peace too.
Happy birthday, Jason, hoping it is a good one! I remember our collaboration in 2000 in Helsinki with our ‘Landscape/Innerscape’ -performance project. It was great fun. Seems that we both have been doing creative projects for a while and traveled quite a bit since.
WOW, was it really THAT long ago??? I remember it well, it was my first trip to Finland, so very memorable. I am 43 today, time to start thinking about growing up. After all, it is the thought that counts..
What are the most recent places you visited to perform? How did you build bridges through music between cultures and people? What do you think about the carbon footprints and travel miles? This idea of making the world a better place through music is fantastic.
The most recent places have been Saudi Arabia, UAE, Brunei, Malaysia and Estonia. I think that every performance every artist gives, inevitably builds bridges, but then if the context is one of tension, conflict, or post war (power vacuum) then this becomes more poignant, as there can be also need for healing and reconciliation. The difference begins with every individual making an effort, which in turn, makes a difference. The carbon footprint is a difficult subject for me as I do travel far and wide, and to get to Dubai for instance, I would need to go by train all the way to Istanbul, then buses from there. Sounds great, even romantic, but impossible given the amount of concerts I do every year. Maybe one day I will be in a position to not think about how many concerts I need to do every year, and just travel this way, which would be amazing. Saying that, I will take the train to Siberia for my concerts in Novosibirsk in April.
I love your video *Endless Summer*. Tell me a little how it came about. The landscape speaks to me with its calm language. And the humor is so touching.

The creative process involved here come from two perspectives, me as a film maker and a musician. The music came easily with David Lillqvist (another Finn!). I rarely play with drummers, so this brings out a clearer sense of rhythm. The video was more difficult because we struggled with light in some of it, and it was COLD! For me, the video making process is not always or only about the story of the music, but a little about the personality of the performers. Maybe this is because I am a performer first and foremost, and I feel it important to connect with the audience personally.

What future plans you hold now, where do you see yourself going next in your career?
  
 Big question, as I am in the middle of some big changes. I have started this project http://www.jesseralwadi.org which is an initiative based in Abu Dhabi (UAE). It is many things, including education/workshops for schools, performances in the UAE and internationally (in UN concerts in Geneva and NYC). But mainly, this project is something which enables me to continue the theme of ‘building bridges through music’ on a more official level. I am off to Dubai and Abu Dhabi on Monday to secure funding for the first year. Wish me luck!
Thank you so much Jason, your projects are awesome, you need lots of good luck! Happy and safe travels!
And here *Endless summer*

Categories
art education&management lifestyle

Arctic sensing/design senses

It is almost twenty years now when Danish author Peter Høeg published his novel (1992) Frøken Smillas fornemmelse for sne, in English Smilla’s Sense of Snow (1996 in English). I could not at that time understand all the possible turns and meanings that the novel encompassed but was still very thrilled by the beauty of the snow. In the book, the character Smilla has an extraordinary ability to understand all types of snow, and name them.

What was so thrilling for me was the idea of snow being so central to one’s experiences and consciousness. In Finland (Norway, Sweden, Russia), the indigenous circumpolar Sami People, had hundreds of words for snow in their language defining the qualities of snow. Their traditional way of life included reindeer herding, and nomadic lifestyle was dependent on the snow conditions in pastures especially in winter. People knew how to define the snow.

In the arctic, the sensing of nature is important. I was growing up in a close relation to the nature. The aesthetics of snow come to my sensing of art and design. Shaping snow into ice and experiencing it in the landscape.

Another creative, artist Marc Chagall took inspiration from snow and wintry landscapes. One of his signature paintings is Over Vitebsk. The beauty of the painting is in the flying figure, and in the silent houses below him. Everything seems to be resting in the quiet of snow, yet there is an undercurrent movement. Chagall is having a nostalgic dream and sees his past hometown in a picturesque image full of movement and life.

I saw couple of recent Chagall shows pondering the corpus of his works. How little I knew that he had created so diverse collections in the United States.  I went to Philadelphia twice in the summer and saw the exhibition where curators wished to frame Chagall next to his fellow avant-garde Parisians. Again, Chagall’s presence in Philadelphia was surprisingly vivid.