All posts filed under: asian art

Patricia Chow and the meaning of ultramarine

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  By Patricia Chow I moved to Los Angeles in 2014, after 11 years as a New Yorker. During those years, I went to graduate school, began and finished a career, learned to love opera, and mounted my first fine art exhibition – a crowd-sourced photography group show that was simultaneously a fundraiser for the nonprofit where I was a board member. What I never did in New York City was paint. At the time, my relationship to painting was purely as a viewer, standing a respectful distance away, wondering how in the world they did that. Who would have thought that three years later, at the instigation of my Los Angeles painting professor, the indomitable Barbara Kerwin, that I would find myself pursuing a graduate degree in painting?   Our first-year MFA group show was titled “Twelve,” for the 12 of us that started the MFA in Art program at Claremont Graduate University this past August. The works I created for the show were made with oil pigment sticks, built up into a thick …

An Ho’s recent paintings

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A 90-year old Chinese artist An Ho finds inspiration from nature and its serene beauty. Still a steady brush in her hand, she invents nature with her visionary approach. The landscapes seem like in many Chinese classical paintings, where the vision engages in the detail. Stillness of a landscape is poetic, without rush forward, yet bearing undertones of memories and dreamlike solitude. The artist who lives in Upstate New York, shows her love towards the trees and landscapes of her environment. An Ho’s six recent paintings are on display at the CHINA 2000 FINE ART in New York City. In a way, the works on silk and paper are telling an ancient story. Ho studied techniques that were forgotten many centuries ago. The artist has revitalized this history by bringing the painting styles into life in modern times. Eventually, there is a play of translucent refinement that of color and movement. An Ho’s mastery of the Chinese brushwork lays the basis of the landscapes. There is a sense of perception in the works, as her artistic …

Interview: Marina Celander explores theater with intention

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New York City based performer Marina Celander crosses boundaries in her artistic practice, which combines a variety of genres and approaches to making art. Her solo performances echo authentic voice, and her deep participation on stage with theater groups comes across as statuesque, moving, gentle and charismatic. Marina Celander is born as Swedish-Korean, and is a recipient of 2014 Lilah Kan Red Socks Award for her outstanding contribution to the Asian American professional theater in New York City. Firstindigo&Lifestyle: What choices did you make to become an actor, what is your background in the field? MC: I started out as a modern dancer. After I graduated from London Contemporary Dance School I moved to New York and danced for a bit with various companies and choreographers. At one point I decided to take acting classes, which was something I had always felt I wanted to try but was afraid to do, and started studying with Gene Frankel at the Gene Frankel Theatre Workshop on Bond Street. Despite my fears, I took that first class with Gene …

Liu Shiyuan, The Edge of Vision, or the Edge of the Earth, 2013.

Artist in focus: Liu Shiyuan

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Artist and global citizen Liu Shiyuan is a young generation Chinese artist. She comes from Beijing and lives currently between China and Copenhagen, Denmark. Her multiplicity as an artist has gained her presentation across continents. Liu Shiyuan’s visually colorful photography and video montage, and her approach to cultural patterns perform traditions from new angles. In her body of works, monochromatic tones meet performative arrays. Firstindigo&Lifestyle: What made you decide to move to Copenhagen Denmark, as you have lived in so many places? Liu Shiyuan: I was born and grew up in Beijing. I studied in The Central Academy of Fine Arts (CAFA). Then after that, I went to NYC to get my MFA from the School of Visual Arts. I´m a very typical Beijing person, my dialogue accent and my behavior are pretty local Beijing type. I got used to living in a big city where there´s a lot of competitions going on. I like it, it makes me always have to work harder and be a better person and so on. So I actually never thought about moving to a …

Interview: Yasushi Koyama, cuteness and nature in Finnish and Japanese aesthetics

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Japanese sculptor Yasushi Koyama lives in Helsinki, Finland and exhibits frequently in the local galleries. In this interview, he ponders the aesthetics behind his cute wooden sculptures. The artist brings the two artistic worlds together in his deep knowledge of both Finnish and Japanese cultures. One of his revelations connects to an idea of etic (or ethic), a general belief that influences people’s behavior and attitudes. Firstindigo&Lifestyle: When did you move to Finland, and how did you decide to go there to study? Yasushi Koyama: I moved to Finland in Autumn 2007 to study Fine arts in Saimaa University of Applied Sciences in Imatra. In 2006, I met Finnish printmaker Tuula Moilanen and took her art courses in Kyoto Japan. She was a good teacher and gave me some advice for Finnish education and art school. Then I decided to come to Finland to study. Firstindigo&Lifestyle: What is the best part of having two cultures to live in and with? YK: The best part is to have another viewpoint beyond one culture. In addition, in my own artwork Finnish culture …

Interview: Katsutoshi Yuasa, from photographic imagination to woodcut reality

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Katsutoshi Yuasa is a Japanese artist who has revitalized the original idea of photography, thinking about its early techniques, and bringing the digital production close to ancient Japanese printmaking practices. His detailed and lengthy artistic process starts usually with a digital snapshot. Eventually the image finds a new life as woodcut print or relief work, which the artist carves and prints all by a hand. In this production the original alters into something else, depicting a feeling or experience. Katsutoshi Yuasa was born in Tokyo. He graduated from the Royal College of Art in London, and has exhibited internationally for over a decade now. For Katsutoshi Yuasa, the photography contains several layers of meaning. The complexity of the medium implies that the production cannot be perceived as pure images. Firstindigo&Lifestyle: Your woodcutting is based on photography, did this practice in your mind transform the idea of photography? Katsutoshi Yuasa: Yes, my process of making art works is a way of thinking about an origin of photography. Or it is about image-making. How we understand and transform an …

Aimee Lee about sound, art books and hanji

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Aimee Lee is an artist, papermaker, writer, and the leading hanji researcher and practitioner in the United States. With paper, she makes thread, sculpture, books, drawings, prints, garments, and installations. Aimee Lee’s background as a performing artist and musician carries traces of paper as sets and costumes. Her installations are artistic research on paper and sound. She has pursued a career with traditional Korean hanji, coming up with new aesthetic concerns and techniques for her artistic practice.  As a scholar, she is author of award-winning book, Hanji Unfurled (The Legacy Press). Firstindigo&Lifestyle: You are a musician, a performer with live violin. How did you start creating performances onsite, including your own installations, manifesting set designs and creating costumes? Did everything start with music? Aimee Lee: My early aspirations were to become a concert violinist, but I learned in college that I was not serious enough to devote the requisite hours of practice and study. However, I still loved music and wanted to stay close to musicians, so I continued to play and my first jobs were in music administration—bringing music …

The magic of Hanji

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Re:visioning HANJI exhibition showcases artworks made from Korean traditional paper hanji.  Two artists, Ran Hwang and Aimee Lee, have each developed their own contemporary aesthetics and styles based on the traditional modes of mastering the paper in artistic forms.   The exhibition is on view until March 31 at the Korean Cultural Center in New York, and connects to the Asia Week New York. In the old days, the masters of the Korean paper manufacturing were called jijang. This profession was proudly inherited and passed on to the next generation. The art of Korean paper making is a complex production process starting with a fiber of mulberry tree. It has developed into multiple use of materials and techniques that are still valid today. Historically, paper was not only applied into books, but its role was more daily as functional material in architecture and clothing. It was also part of making calligraphy, painting, money and armor. The remarkable part of early Korean paper manufacturing was connected to Buddhist scriptures. The paper process starts with harvesting. A …

Ai Weiwei @ Helsinki

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Chinese artist and activist Ai Weiwei’s exhibition opened in Helsinki in September 2015. Ai Weiwei @ Helsinki will be on view through the end of February 2016. His first solo exhibition in Finland features 25 works from 1985 to the present, including selection of wooden sculptures and installations, and taking materials from antiques and building structures of old temples. Ai Weiwei’s exhibition is connecting to historical China, raising contemporary questions and speaking of the critical voice, which requires to be heard. The exhibition narrates of the personal and the cultural, weighting the nuances that the artist has tested in practice. Ai Weiwei is the artistic figurehead for thinking how today’s east meets west in many forms. I call my perception of the works ‘massivity of matter’. Firstly, the amount of matter in a museum space probably recalls any sculpture display as the intervention of matter over the space. In this exhibition, however, the sculptural speaks together with the space, the airy high ceilings are breathing with the objects. Second, the massivity of matter is more …

Cho Kuwakado: making murals

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Cho Kuwakado is a Buddhist priest and director of Lumbini Kindergarten in Saiki City in Japan. He is an Arts educator together with his team that makes Chara-Rimpa mural projects in Japan and abroad. The most recent international collaboration was for the opening event for the celebration of Colegio Madrid’s 75th anniversary in Mexico. In the interview, Cho discusses the background of these projects, and encourages us to think together with his educational philosophy, which is rooted in the history of Art and in the Buddhist thinking. There are two levels of nature in my thinking. One is a superficial level like weather, vegetation, and ecosystem. Another is a cosmological level from which the superficial workings of nature emerge. Valuable works of art for me entail some elements of nature at a cosmological level. I think that is the source of the universal appeal of fine art work.   Chara-Rimpa is an art project initiative with a global production perspective, how did it get started and when? It started in Spring 2013 when I began …