Firstindigo&Lifestyle

21-century art

Category: design

  • Kamppi Chapel of Silence in the World Design Capital 2012

    Kamppi Chapel of Silence in the World Design Capital 2012

    Kamppi Chapel of Silence opened in May-June 2012 and immediately became a Helsinki World Design Capital architectural landmark. It has become a huge tourist attraction with thousands of visitors coming to see it on a weekly basis, and the architecture has gained international following. The Chapel is designed by the K2S Architects, and is built by the Evangelical Lutheran Church of Finland. It is a collaboration of the City of Helsinki and the Church. Kamppi Chapel of Silence is a unique concept in Finland, being a first of its kind.

    The Chapel was nominated for the European Union Prize for Contemporary Architecture Mies van der Rohe Award. Nordic Architecture and Design Magazine FORM chose it as the building of the year within Nordic countries. The architectural shape brings in mind, for some, ideas of Noah’s ark, and for others it reminds them of egg or bowl shapes. What is extraordinary about it, is the element of cutting out the sounds of the city. When you enter the space you have come into contact with silence, and you are isolated from the urban mayhem. The Chapel entrance hall is designed for encountering people, there is a service desk for the staff to meet with the community and visitors. The Church offers prayer services and communion, but it does not offer the usual congregational services like weddings and funerals. Its main focus is to be open for people and to assist the surrounding areas. The professionals in the Chapel encounter and help visitors and even meet the youth hanging out in the shopping mall area. This sometimes means dealing with usual social problems of public spaces.

    The building brings in natural light during the daytime. The rest of the lighting is created to keep this natural balance. The lighting is operated by sensors, which adapt to human movement. The Chapel interior is made of alder, with common alder planks cut to shape, the benches are made of ash tree, and the exterior is made of horizontal spruce strips, which are bent at different radiuses. The exterior wood is glazed with a special wax that utilizes nanotechnology, and its frame is prepared of massive glulam beams, which were cut to shape. The exterior consists of 30 kilometers long of the material. The World Design Capital was launching a theme for innovative wood architecture, as it is more ecologically sustainable in the times of the World’s ecological crisis.

    The acoustics are fantastic for musical performance, however there is no room for an organ.  It would be ideal space for baroque ensembles to perform, for instance. The most important concept of the Chapel is to be a service desk for both the locals and travelers alike. The doors are open for anybody to enter either to stop by or spend some quiet time there. The Chapel is located in the middle of the Kamppi market square, which incorporates a big shopping mall and a metro station. The area has hotels and museums nearby so it invites tourists and international visitors. Overall, the square is an ideal location for the Chapel, since it is an intersection of the cultural and the leisurely, bringing in people from all parts of the city. The Chapel itself is a small gathering place holding the most 60 people.

    The City of Helsinki implemented that the World Design Capital projects come up with ideas of service design. Part of the thinking of the design is that it is embedded in the everyday life of people, and it can be more than just objects, material things and products. Design can be experiences, and it can encourage communities to create, to meet and come together, to influence and serve others. When this idea is brought together with architecture it adds another layer of the human experience. Good architecture is there to serve communities, and create meeting points in the busy city-life. The Kamppi Chapel employs professionals from the City and from the Evangelical Lutheran Church of Finland Helsinki parish, employing twelve people.  A pastor and a deacon, a youth social worker, two ushers, and the manager are employed by the Church. The city employs two social workers, two social instructors, and two cleaning professionals.

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    Pastor Nanna Helaakoski

     

    December 12, 2012, was a special day for the Kamppi Chapel. 12.12.12. was commemorated there with several weddings in the Chapel. This is an unusual occasions, so I spoke to the Chapel’s pastor Nanna Helaakoski about it.

    – The December 12, 2012 was made a theme day of weddings at the Chapel. We had 16 couples to celebrate their wedding ceremonies. For some of them it was more important to get a rare chance to be married in the Chapel, than to emphasize the 12.12.12 as a special wedding day.

    Websites: K2S Architects Ltd. www.k2s.fi/

    http://www.helsinginkirkot.fi/fi/kirkot/kampin-kappeli

    WDC Helsinki 2012 wdchelsinki2012.fi/en

    (Update: Mice family living in the Kamppi Chapel moved to nature. Pastor Nanna Helaakoski assisted them. The following video was published on Jan 16, 2013 by Kotimaa24:n production’s Päivikki Koskinen and Katri Saarela, 2013.)

  • Cake stand

    Cake stand


    SHERPA from mandy yau on Vimeo.
    This cake stand SHERPA is amazing. Designed by Mandy Yau, Helsinki. {in a series of another porcelain pick.}

  • Anna Zaigraeva rocks her beadwork design

    Anna Zaigraeva rocks her beadwork design


    Anna Zaigraeva lives in New York City and works as a Russian to English translator. She designs beadwork jewelry in her spare time.
    -Anna, tell us how you started doing these and when? 

    – I learned beadwork from my best childhood friend back in Moscow. We were both ten. Since I moved to the States, I’ve mostly just continued to learn by trial and error – I don’t subscribe to magazines or beading clubs or anything like that. So I’m not a hot-shot technique-savvy beader by any stretch of the imagination.
    -How long did it take to learn?
    – Not very long. They are difficult to make, but not because the stitches are tricky. It just takes a lot of time to pick and choose the right bead. I use high-quality Japanese Miyuki size 15/0 beads, which are pretty uniform compared to other brands, but even they are not uniform enough to simply string them at random and hope the pattern comes out. I have to constantly compare the fringe I’m working on against the previous one, to see if the next bead needs to be thinner or fatter to make the pattern work best. When beads are marketed as being the same size, it just means they have the same width and hole diameter – thickness varies quite a bit. But this is what sets my necklaces apart from others that use patterned fringes: I hand-pick each of the 7000 beads specifically for its place in the necklace, and I also make sure the fringe is not too loose or too taut. So the pattern comes out as close to perfect as possible.
    – Are the supplies easy to get?
    – There are a lot of bead suppliers out there, so the main problem is price shopping. My best purchases usually come from the discount bins of the Toho Shoji store on 37th street.
    – What inspired you to make these necklaces?
    – My very first fringe necklace was inspired, as far as I recall, by a coral reef. The design I first chose was symmetric but extremely difficult – the necklace took me probably upwards of forty or fifty hours to finish, and I made a ton of mistakes. I’d like to try making it again at some point – it was different and interesting. Unfortunately, given how long it takes, it’d probably be too expensive to unload afterwards. But that’s all right. I might just end up giving it away to a friend.
     
    – So the first one took fifty hours, what about the ones that you made after that?
    – After that, I adjusted the pattern slightly, and they now usually take between 20 and 30 hours, depending on how many colors I use. The simplest pattern I make is solid diamonds – four colors and a border. It always takes several hours just to pick out the colors and make a sample. I usually end up trying out several combinations until I find the one that works best.
    – Are they heavy?
    – No, they’re actually super light. People are always surprised by this, since each necklace has about 7000 beads. But miyuki seed beads are very lightweight. So the necklaces rarely weigh in over 25 grams. And I recently started using even smaller beads – Czech size 15/0 rather than Japanese, so they’ve gotten even lighter. My new House Stark necklace with a direwolf head weighs only 13 grams, and that’s only because it has a rather big toggle clasp.

    {ALL the above designs are found inAnna’s Etsy-storehttp://www.etsy.com/shop/AxmxZ. Anna shows here how to make jewelry with cool pictures.}