All posts filed under: performance&dance

The Scandinavian American Theater Company’s evaporated themes

The Scandinavian American Theater Company (SATC) has through its 5 year of existence engaged itself to an array of controversial themes, which question, evaporate, give new perspective, challenge, and perhaps empower the very notion of the ‘Scandinavian’ theater tradition, as it might appear in the world marketplace.  The theater company was started by Danish actor Albert Bendix, who after landing in the New York theater scene in 2006, had a vision to establish a collective of theater artists who would represent talent from various Nordic countries. The idea was to bring a Scandinavian perspective to local scene; introducing a new generation of Scandinavian playwrights and theater artists with great ideas and work. In 2014, the company has already proven that the Scandinavian perspective offers both interdisciplinary ideas and multiple voices. The works and approaches create dialogues between current world trends and contemporary artists, and genre tradition and historical themes. The end products are narratives that are empowering.  SATC Founding Members are: Henning Hegland (Norway), Albert Bendix (Denmark), Lisa Bearpark (Sweden/US), Sebastian Nyman Agdur (Sweden/UK), Vigdis …

Many talents of Artist-Professor Pirjo Yli-Maunula

In June 2010, Finnish dancer and choreographer Pirjo Yli-Maunula was one of the four dancers to travel up the Muonio and Torne Rivers in Finnish Lapland. Their living and dancing installation River Woman was built on a ferry consisting of plastic bottles (about 25 000 plastic bottles were used to build a diameter of ten meters ferry, which operated a gliding dance-installation on a stage across the Muonio and Torne Rivers). Pirjo Yli-Maunula (being the main incubator of the project), dancer-choreographer Reijo Kela, and dancers Catherine and Anne Angeria were on a three-week river trip from Karesuvanto to Tornio performing to the audiences on the way. This dancing ferry is a kind of project that Pirjo Yli-Maunula would create, telling about how we are close to nature, and the nature is a stage for everything we do. Her performance projects – often taking place in the Northern Finland – have involved local audiences to participate and collaborate in mesmerizing ways. FI: What are you doing these days, you have quite a long career as an …

Finnish Samuji attending Capsule in New York

Finnish Fashion brand SAMUJI will be part of CAPSULE Women’s fashion showing on September 15-17 2013 in New York. The brand started in 2011 with a collection for women, and for fall 2013 with a collection for men. SAMUJI’S story embeds love for the everyday, highlighting its simple functionality, and setting values for designs that are sustainable.  In addition, SAMUJI items are crafted from quality materials coming from European and Japanese suppliers, and are made in Europe. The flagship store is in Helsinki. SAMUJI is also sold in selected stores in Europe, Asia and North America. http://www.SAMUJI.com  More information about the Capsule show including brands and event location here

Hello!earth from Scandinavia

Copenhagen, Denmark from hello!earth on Vimeo. This is a hello!earth video. The hello!earth performance group appears on video as part of the Metropolis Festival held in 2009 in Copenhagen. What is so intriguing is their interdisciplinary approach and work, which seems so effortless yet requires much planning. Their performances cover investigations of cities and the urban environment. They also go to exploring nature and ‘earth’. The participants involve themselves in meeting people, and experiencing something new, and exiting. Their ’embodied experience’ creates the adventure.

Riikka Theresa Innanen on dances

Riikka Theresa Innanen: After I had decided to stop dancing at the age of 6, (I was to dance a duet with a boy, and I got too embarrassed and offended to go on), I totally got swept away with Break dancing at the age of 12, and had to start again. For a girl in 1980’s in a small town in Finland it wasn’t too easy to develop my passion, but I was equally inspired by the Fame that was on TV. I though I could support my street dancing with jazz dance classes. This developed further to ballet and modern dance until I stopped again. After a year of dancing flamenco as a hobby and trying to find a “real profession”, I realized that the only thing I really love and know to do is dancing. I studied dance and choreography 4 years in Amsterdam at SNDO (1993-1997). SNDO together with working a year in a residency at Daghdha Dance Company in Ireland has possibly left the biggest imprint on me as an artist. …

Sam Kim: on choreography, residencies and intuition

What kinds of projects have you been working on recently?   I began a new work during a residency at The MacDowell Colony (Peterborough, New Hampshire) last fall.  I just started creating content loosely, on my own body, without any set parameters.  I found that I was still thinking a lot about a piece I made in 2007, “Cult,” a duet for myself and another woman, that still had a lot to offer.  I never want to name the “aboutness” of a dance because I don’t believe that’s what the form has to offer, but there is something about a fucked-up relationship between two women who have a relationship that’s too intimate, in that work.  I wanted to return to that land because I knew there was more to mine.  I knew I didn’t want to make a solo, so I held an audition to find performers.  This was a strange move for me, if only evident to myself.  I think it’s not the downtown dance way of doing things, but I was really interested …

Oblivia performance group and the Museum of Postmodern Art

Founded in 2000 in Helsinki, the international performance company Oblivia is truly a unique phenomena in the Finnish performance scene. The group transforms larger than life themes into minimalist performances. Oblivia’s group fuses different genres and nationalities. The members are from Finland and the UK have experiences in music, dance and theory, which allows them to play between suspended tension and sense of humor. Since its beginning, the group has attempted to create a common language in the performance. In June 2013, Oblivia will perform its recent work ‘Museum of Postmodern Art’ in the NEW Performance Turku Festival in Turku Finland. The performance is co-produced by at PACT Zollverein and Espoo City Theatre. The premier took place at PACT Zollverein, Essen in November 2012 and the Finnish premier was at Espoo City Theatre in November 2012. The performance is the first in a series of five and part of the five-year project Museum of Postmodern Art – MOPMA. Annika Tudeer, the founding member of Oblivia tells about the history of the group and about her …

Artist Interview: Choreographer Simo Kellokumpu

Sightseeing is a performative proposal to deconstruct an archetypal figure of tourism through a site specific procedure. It’s about shifting from sightseeing to siteseeing and what this involves in terms of spacialization and temporality of the seeing that can trigger a sight specific experience. (Simo Kellokumpu & Vincent Roumagnac) . Sightseeing is a Dance Film directed by Simo Kellokumpu and Vincent Roumagnac (FRA/FIN 2012, 28 min). The film will be part of the LOIKKA DANCE FILM-FESTIVAL next week in Helsinki. Firstindigo&Lifestyle: How did you choose dance and choreography? SK: I’m not sure if it is about choosing in my case –  I find it more like a development of perception within the conditions where I have lived. I have realized that choreography is something I have always been interested in, but I didn’t have a word for it before getting to know dance. As dance and choreography are two different media, what interests me now as a choreographer in choreography is to consider it as a form of (an artistic) practice, which articulates, shifts and …

Chinese Watersleeves

Shuixiu is Chinese. The word can be translated literally to ‘water sleeves’. The sleeves are amazing part of the costume, or dress, which a Chinese stage performer wears. Not only are they made of fabric and is part of the costume, but the word refers to performer’s extraordinary skills to perform various movements with the sleeves. Water sleeves are ‘double white-silk sleeves attached to the cuffs of a costume’. The long sleeves can express performers’ mood. Overall, the gesture variation that one can perform with the sleeves, are hundreds. These include movements of ‘quivering, throwing, wigwagging, casting, raising, swinging, tossing, whisking, rolling, folding, crossing and so on’. Water sleeves can be used for many functions. For example, the sleeves wigwagging in front of face means a fun; one hand pulling another water sleeve sidewards indicates politeness or bowing; sadness and shyness are expressed by one hand pulling another water sleeve to cover the face; wiping tears and whisking dirt on costumes by water sleeves; raising and put up two persons’ water sleeves to embrace each …

Knit Sandy: Knitting for Hurricane Relief

Kristin Hatleberg is a dancer and educator living in New York City, whose recent efforts include organizing a knitting circle for Sandy relief, (SandyReliefKnittingBee on Facebook).   Firstindigo&Lifestyle: Kristin, how did you get started with the project of knitting? Kristin: The idea came to me quite simply, and I blurted it out to the right person! My boyfriend and I were making dinner and I said, “You know, I should just start a knitting bee to give everyone a way to help out. I’ve got the yarn—why not?” And that was it, within that evening the idea was public, space was donated, and we were going through with doing it. It started in the week right after the hurricane, because I kept having conversations with people about how they were frustrated at their inability to help out. Lots of people I knew were getting turned away from volunteer centers because they didn’t have long enough windows of time to volunteer. And I thought if only there were a way for everyone to sit down together …