All posts tagged: artistic practice

Aimee Lee about sound, art books and hanji

Aimee Lee is an artist, papermaker, writer, and the leading hanji researcher and practitioner in the United States. With paper, she makes thread, sculpture, books, drawings, prints, garments, and installations. Aimee Lee’s background as a performing artist and musician carries traces of paper as sets and costumes. Her installations are artistic research on paper and sound. She has pursued a career with traditional Korean hanji, coming up with new aesthetic concerns and techniques for her artistic practice.  As a scholar, she is author of award-winning book, Hanji Unfurled (The Legacy Press). Firstindigo&Lifestyle: You are a musician, a performer with live violin. How did you start creating performances onsite, including your own installations, manifesting set designs and creating costumes? Did everything start with music? Aimee Lee: My early aspirations were to become a concert violinist, but I learned in college that I was not serious enough to devote the requisite hours of practice and study. However, I still loved music and wanted to stay close to musicians, so I continued to play and my first jobs were in music administration—bringing music …

Interview: ruby onyinyechi amanze, drawings on paper

ruby onyinyechi amanze embeds a notion of scholarly artist in a true sense. Next to her large drawings on paper stands a mind that is influenced by spatiality in a geographical sense. The artist employs a design sensibility that gives her drawings variable perspectives. ruby amanze completed her art degrees, worked in art institutions, and as the Director of Education at the Museum of Contemporary African Diasporan Arts (MoCADA). She was a Fulbright Scholar teaching art at the University of Nigeria, Nsukka in 2012-2013. Currently, while still teaching art, her artistic practice evolves in a studio located in Brooklyn, New York City. Firstindigo&Lifestyle: It is fascinating how you translate the theme of hybridity into formations with so much vivid color and fluidity. Do you think this resonates with the fact that you were transferring between various continents? ruby: Most definitely. There is a way of being and moving in space, that I feel is unique to the experience of having come from many places. Automatically, there is less permanence associated with land (geography) or a …

Riitta Ikonen’s artistic day dreaming

Artist Riitta Ikonen traveled recently to Greenland to discover new artistic work that reflects interaction between humans and their natural environment. Her exhibition, “Glacial Reveries”, is on view at The Chimney Exhibition & Performance venue in Brooklyn until February 7th. Interestingly, the body of work touches directly a topic of glaciers and their fate in the age of the anthropocene. Reveries, then, as a form of day dreaming, means for the artist a human survival strategy during the end of the world scenario. The objects include; a ”wetsuit for the tip of an iceberg, a lifejacket for a brick, eroded stones tied back together with strings, a video hidden in a suit, stairs leading up to cinder block windows”. Few year ago, Riitta Ikonen captivated her audiences with a collaborative photography project, Eyes as Big as Plates, which embeds something remarkable of the elderly human portraits, characterizing people among their surroundings. In this interview, the artist discusses her exhibitions, travels, artistic practice and plans. Firstindigo&Lifestyle: Could you tell about this ongoing project called ”Eyes as …

Ofri Cnaani’s ‘Wrong Tools’

Artist Ofri Cnaani has created a new photography exhibition consisting of prints and a performance piece at Andrea Meislin Gallery. Photographies on display echo ideas deriving from Xerox art of the 1960s simultaneously connecting with the visual world of the mesmerizing early photography of the 20th century. The exhibition ‘Wrong Tools’ will be on display until October 24, performances taking place on Wednesdays, Fridays and Saturdays. Cnaani’s Blue Print photographs are like intuitive maps constructed of performative ideas that associate with artist’s own body. With both of her performance and photographs, she creates a presence. The works are building up from fragments, and the pieces are put together in a compelling logic. These could be like ruptures built on the Internet surface, where constant image flows create new associations. Here is Ofri’s interview. Firstindigo&Lifestyle: Your ongoing solo exhibition ‘Wrong Tools’, at the Andrea Meislin gallery speaks a strong esthetic and spatial approach with performance element added to the photography gallery. The performative element also looks back from the blueprints, which display hands in various positions …

Visiting Linda Cunningham’s studio

Last month, New York based artist Linda Cunningham showed me her art studio in the Bronx, where she lives and works.  It is located next to the Bronx Art Space that is fostering arts education and collaborative artistic projects. She told me stories behind the art works, both the sculptural works and the collages that combine drawing and photography.  The studio is in a newly renovated building nestling at the heart of the historic urban Bronx. Firstindigo&Lifestyle: Linda, you were one of the first artists to come to this location, how was the neighborhood back then, it’s been now a good fifteen years? You did a series of artwork digging into the Bronx history, in which immigration was a theme or a subject. There seem to be real person’s story involved, including documents, such as passports with photos. Could you tell about the project that was exhibited at the Andrew Freedman house in 2012? LC: When I first moved to this historic landmarked area of the South Bronx, I began photographing the now renovated 19th …

Training artists for innovation: Competencies for New Contexts

photo: Wilma Hurskainen: “He Doesn’t Like Water”, 2012 The book Training artist for innovation: Competencies for new Contexts was published in 2013, (the Theatre Academy of the University of the Arts in Helsinki in Finland). It discusses the topic of artists who are trained for creating innovation in various contexts outside their own artistic practice. The book is  based on a  project, which  gathers together different agents in European countries, who are leading artistic innovation. Kai Lehikoinen and Joost Heinsius are the editors of the book. The book-project brought together artists, companies, organizations, universities and cities, which have experienced artists working with them.  The idea for the publication came from the challenge that both society and businesses need new solutions and interventions, as they face changes.  Professional artists with artistic interventions can respond to challenges of today, bringing in new questions and ways of thinking. Artists “offer contradiction, as well as confrontation and friction, and they provoke new ideas.”   Training Artists for Innovation: Competencies for New Contexts argues that artists who take the challenge for …

VOLTA edition #2 Derrick Velasquez

Artist Derrick Velasquez was presented at VOLTA by Philadelphia-based pentimenti Gallery. His marine vinyl and plywood wall pieces are sculptures, if you like, and at the same time they possess some qualities that are decorative, or design. Yet, this is not entirely summing up what he is doing with the ingredients. The art made by Derrick Velasquez is very physical. The layers of meaning, which come to your mind begins with words, like arts and crafts, ancient, poetics, mechanics, physics, installation, historical play with objects, and the body-art. He says in VOLTA NY 2013 introduction to his work, that his attempt is to ‘construct a language of structure that questions our physical and psychological interactions with industrially manufactured materials that exits in the spaces we inhabit’. Velasquez works with plywood to investigate the gravity or tension on the wood together with the materials of marine vinyl, acrylic and hardwoods. He adds into these the human body dimension. When the body is part of the picture; questions, how the wood can be stretched to measure our …