All posts tagged: body and mind

Favela Vera Ortiz: Choreography unplugged

Favela Vera Ortiz is a Finnish-Argentinian choreographer based in Helsinki, Finland. The choreographer has recently been celebrating her artistic anniversary. She is currently finding herself with compositions that extend the boundaries of the body, self, and the space. Vera Ortiz is well known as an inventor of Choreographer’s Appointment, in which participants find their solo movements with the choreographer, and engage in a social form of personal choreography with a performance. The choreographer has worked with multiple themes in her native Finland, in Stockholm, Buenos Aires, Paris, and Melbourne, Australia, to name a few locations. Firstindigo&Lifestyle: Your career spans over 15 years, and in fact you just celebrated your artistic anniversary. Starting from the time you went to study at the Danshögskolan in Stockholm, how did you end up choosing to go there? Favela Vera Ortiz: Actually I had tried to get in to some schools already earlier, but always seemed to be the one who almost got in. But I continued dancing all the time and became more and more interested in making choreography. I chose to …

Visitor experiences at Frieze 2015

  Brazilian artist Martha Araújo’s piece Para um corpo nas suas impossibilidades, (For a body in its impossilibities) was created in 1985. Now at 2015 Frieze Art Fair, we celebrate the corporeal experience at the skateboard ramp dressed in suits that are patched with Velcro straps. The user-experience is less of a performance, and more of a subjective experience, which is very much according to the manifesto written by the artist. Martha Araújo (born in 1943) wrote the following: Believing in the impossible is also a way of making art, for it is to doubt the impossibilities that make our dreams and follies feasible. Our proposal consists of experiencing situations in which the body crawls (on the ground floor) and tries to climb vertically. It is a search to achieve utopia; an exercise in transcendence. For this we will wear two pairs of overalls with several strips of Velcro attached to them vertically and horizontally. We will also use  a runner rug measuring 6.00 x 2.00 m, stuck to a skate track-type wooden framework. The …

Many talents of Artist-Professor Pirjo Yli-Maunula

In June 2010, Finnish dancer and choreographer Pirjo Yli-Maunula was one of the four dancers to travel up the Muonio and Torne Rivers in Finnish Lapland. Their living and dancing installation River Woman was built on a ferry consisting of plastic bottles (about 25 000 plastic bottles were used to build a diameter of ten meters ferry, which operated a gliding dance-installation on a stage across the Muonio and Torne Rivers). Pirjo Yli-Maunula (being the main incubator of the project), dancer-choreographer Reijo Kela, and dancers Catherine and Anne Angeria were on a three-week river trip from Karesuvanto to Tornio performing to the audiences on the way. This dancing ferry is a kind of project that Pirjo Yli-Maunula would create, telling about how we are close to nature, and the nature is a stage for everything we do. Her performance projects – often taking place in the Northern Finland – have involved local audiences to participate and collaborate in mesmerizing ways. FI: What are you doing these days, you have quite a long career as an …

Riikka Theresa Innanen on dances

Riikka Theresa Innanen: After I had decided to stop dancing at the age of 6, (I was to dance a duet with a boy, and I got too embarrassed and offended to go on), I totally got swept away with Break dancing at the age of 12, and had to start again. For a girl in 1980’s in a small town in Finland it wasn’t too easy to develop my passion, but I was equally inspired by the Fame that was on TV. I though I could support my street dancing with jazz dance classes. This developed further to ballet and modern dance until I stopped again. After a year of dancing flamenco as a hobby and trying to find a “real profession”, I realized that the only thing I really love and know to do is dancing. I studied dance and choreography 4 years in Amsterdam at SNDO (1993-1997). SNDO together with working a year in a residency at Daghdha Dance Company in Ireland has possibly left the biggest imprint on me as an artist. …

Oblivia performance group and the Museum of Postmodern Art

Founded in 2000 in Helsinki, the international performance company Oblivia is truly a unique phenomena in the Finnish performance scene. The group transforms larger than life themes into minimalist performances. Oblivia’s group fuses different genres and nationalities. The members are from Finland and the UK have experiences in music, dance and theory, which allows them to play between suspended tension and sense of humor. Since its beginning, the group has attempted to create a common language in the performance. In June 2013, Oblivia will perform its recent work ‘Museum of Postmodern Art’ in the NEW Performance Turku Festival in Turku Finland. The performance is co-produced by at PACT Zollverein and Espoo City Theatre. The premier took place at PACT Zollverein, Essen in November 2012 and the Finnish premier was at Espoo City Theatre in November 2012. The performance is the first in a series of five and part of the five-year project Museum of Postmodern Art – MOPMA. Annika Tudeer, the founding member of Oblivia tells about the history of the group and about her …

Alpo Aaltokoski: Faux, Sahara, and kinesthetic communication

Choreographer and dance pedagogue Alpo Aaltokoski is one of the pioneers of Finnish contemporary dance. He remembers how it all started. In the 1980s, for example, it was the trend in Finnish choreography to use army style landing-boots as a choreographic device. Then, using strong visual effects and technology in contemporary dance performances was established fast. Aside from creating visually appealing multidimensional dance works, Aaltokoski has been a key educational voice in the Finnish dance culture. He believes that dance belongs to everyone, including the children and the young people, and it should be part of  their primary education. According to him, dance art and dancing body create affects and tell stories that are different from our ordinary conversations. Outside Europe, Aaltokoski’s own dance company has appeared in The US, Canada, Central America, South America, Asia and Africa. For many years (until 2012), choreographer Aaltokoski was the artistic director of the Full Moon Dance Festival (Täydenkuun Tanssit), which is a well-known Finnish contemporary dance festival in the world. Between 2003-08, he held a position of …

Artist Interview: Choreographer Simo Kellokumpu

Sightseeing is a performative proposal to deconstruct an archetypal figure of tourism through a site specific procedure. It’s about shifting from sightseeing to siteseeing and what this involves in terms of spacialization and temporality of the seeing that can trigger a sight specific experience. (Simo Kellokumpu & Vincent Roumagnac) . Sightseeing is a Dance Film directed by Simo Kellokumpu and Vincent Roumagnac (FRA/FIN 2012, 28 min). The film will be part of the LOIKKA DANCE FILM-FESTIVAL next week in Helsinki. Firstindigo&Lifestyle: How did you choose dance and choreography? SK: I’m not sure if it is about choosing in my case –  I find it more like a development of perception within the conditions where I have lived. I have realized that choreography is something I have always been interested in, but I didn’t have a word for it before getting to know dance. As dance and choreography are two different media, what interests me now as a choreographer in choreography is to consider it as a form of (an artistic) practice, which articulates, shifts and …

Knit Sandy: Knitting for Hurricane Relief

Kristin Hatleberg is a dancer and educator living in New York City, whose recent efforts include organizing a knitting circle for Sandy relief, (SandyReliefKnittingBee on Facebook).   Firstindigo&Lifestyle: Kristin, how did you get started with the project of knitting? Kristin: The idea came to me quite simply, and I blurted it out to the right person! My boyfriend and I were making dinner and I said, “You know, I should just start a knitting bee to give everyone a way to help out. I’ve got the yarn—why not?” And that was it, within that evening the idea was public, space was donated, and we were going through with doing it. It started in the week right after the hurricane, because I kept having conversations with people about how they were frustrated at their inability to help out. Lots of people I knew were getting turned away from volunteer centers because they didn’t have long enough windows of time to volunteer. And I thought if only there were a way for everyone to sit down together …

Minna Tervamäki and a new contemporary ballet

Minna Tervamäki, a former principal dancer from the Finnish National Ballet, is heading to a full-fledged freelance career as a choreographer and producer. This dancer étoile discusses about her current work as a multiple entrepreneur in the field of contemporary ballet. Her new premiere together with Compañía Kaari Martin and Kare Länsivuori opens at the Savoy Theatre in Helsinki on October 17, 2012. Firstindigo&Lifestyle: The idea for interviewing you goes back to 2005, when you were rehearsing for your choreographic premiere “Something Else?”. This work was designed for three women dancers yourself including. You received very positive response when you hosted and produced your own evening presenting different choreographers. Would you describe how that influenced your later decisions to pursue your own productions? Minna: That was a turning moment. I had been sketching to my desk drawer (metaphorically) for years, but I lacked the courage, which was needed to do it. All of a sudden, I just decided to take a full dance evening into production by myself, literally producing it too. Now, after I …

Talk with Isira Makuloluwe (molecular biologist – come- choreographer)

Isira Makuloluwe is a choreographer living and working in London. He has  just finished a work called 1951 to the music of Czek ’60’s Avant-Garde composer Miloslav Istvan’s 1951 String Quartet for ProART Dance Company. It premiered on 27th July 2012. His first work to pre-existing ‘classical’ music and not made by his long-term composer Jennifer McConachie, it was a new page in the choreographer’s career, entering a phase where the interpretation of music through its theoretical construction and making movement from it has become of great importance to him. The fine line between choreographing to music and re-writing the music (without changing it) via the dancing body has become his focus. Firstindigo&Lifestyle: Isira, please, do not laugh; I’m wearing my glasses when I type. Tell me, how can a Molecular Biologist be a choreographer? It taught you awareness. What else? You have been choreographing since 2000, and before that you studied dance with various great dance masters in Europe and United States. Manola Asensio, William Louther, then you finished your studies at Alvin Ailey …