All posts tagged: curator

'Speak Out' -exhibition installation view.

Curator Dalaeja Foreman’s recent interventions

Dalaeja Foreman is a curator, community organizer, first generation Caribbean-American and Brooklyn native. Her curatorial practice seeks to combat misconceptions of oppressed people and resistance through direct action, cultural esteem and the arts. She is a graduate from the Visual Presentation and Exhibition Design program at the Fashion Institute of Technology. Dalaeja is also alumni of No Longer Empty Curatorial Lab 2015. In January-February 2016, she co-curated a show ‘Speak Out’ for the BronxArtSpace. The exhibition addressed legacies of injustice and practices of institutional racism, offering alternative views and acts of empowerment for the artist in their communities, creating realities that affirm that #BlackLivesMatter. Firstindigo&Lifestyle: You co-curated a show ‘Speak Out’ for The Bronx Art Space. Could you tell about the roots for establishing that collaboration? Dalaeja Foreman: That I have! Alongside Linda Cunningham and Eva Mayhabal Davis. After working with her on a No Longer Empty curatorial fellowship exhibition, Linda (Director of BronxArtSpace) asked me if I would be interested in co-curating an exhibition she was conceptualizing. An exhibition about institutionalized racism, as a white …

Leah Oates in spotlight: artist, curator, gallerist

A woman to watch now in the art world is an artist with multiple roles. Leah Oates runs her own art gallery Station Independent Projects in New York’s Lower East Side. In the interview she sheds light on how she found her path.  Firstindigo&Lifestyle: Your photography reflects multiple textures, showing light, contrast, opening up to magical worlds, how did you find your own medium? Leah Oates: I started as a painter and printmaker, and I still see the influence of both in my current work with the layering and density of color and light. The common thread with my past work in other medias was always photography as I painted and printed from photographs but in the past I saw the photos I took at support materials or documentation. At some point I realized that the photography was the main and most continuous thread in my work so transitioned to how I work now. Firstindigo&Lifestyle: Do you feel that memories, or where you come from resonates in your art?  Your works have been also exhibited …

Artist spotlight: Johanna Tuukkanen, The Outstanding performer

I interviewed Johanna Tuukkanen, who is currently preparing her PhD in art education and cultural policy. She is a well-known curator and art-maker herself, and the Artistic Director of ANTI festival based in Finland’s Kuopio. This week, January 30, 2015, she will also have a premiere of a new work Panopticon together with her colleague, choreographer Pirjo Yli-Maunula in Oulu, which is a vibrant capital in Northern Finland. Their new multidisciplinary work will articulate a hot topic of women’s ‘controlled bodies’, as they are often portrayed in fashion industry and magazines, taking a theme of aesthetic violence in relation to women’s bodies as a starting point in their performance. Simultaneously, their performance asks, are we allowed to mock this phenomenon, and even make fun of it in the arts? Johanna Tuukkanen has been making noise with her performance art for good 15 years now, highlighting women’s bodies in her performances many times before. Firstindigo&Lifestyle: Johanna, I have known you from the early 2000s onwards. It seems that there has been a lot of currency exchange …

Fashion Curating: Unsustainability, gender and class readdressed

Fashion Interactions is a multidisciplinary exhibition that explores fashion culture by means of contemporary art, design and media. The exhibited works comment, on the unsustainability of the fashion industry, analyze the relationship of fashion and corporeality, and investigate how people use clothing as a tool for building identities. The exhibition is Curated by Annamari Vänskä & Hazel Clark and it presents works from: Federico Cabrera, Heidi Lunabba, Jasmin Mishima, Anna Mustonen, Nutty Tarts, Timo Rissanen, Salla Salin, Heidi Soidinsalo, Saara Töyrylä and Timo Wright. This exhibition opens on Friday November 15, 2013 in New York City. It is a collaboration with Parsons The New School for Design and the SheilaC. Johnson Design Center, Finnish Cultural Institute in New York, and the Centre for Fashion Studies (Stockholm University).   (Fashion Interactions-exhibition, Timo Wright-‘un fit’ video still) FASHION CURATING NOW is a daylong symposium at Parsons The New School for Design on Saturday November 16 9:30 am-5 pm. The symposium reflects the subjects around the Fashion Interactions exhibition focusing on the possibilities and challenges of contemporary fashion …

Leevi Haapala discusses with Axel Straschnoy (2011)

Curator and art researcher Leevi Haapala (Kiasma, Museum of Contemporary Art in Helsinki), and a friend visited New York in 2011. We sipped cocktails, walked and talked. The global art scene, environment, artist-stories, what was going on in the world; inspired our conversation. Leevi was after a bunch of creative ideas. My thought was to start a blog as a platform, where to reflect what it means to be global and to stay attentive to different cultures. During the time of starting FIRSTINDIGO&LIFESTYLE, many changes had taken place in New York City. The first post was published on September 11, 2011, which was the 10 year anniversary of the tragic attack. It was all over the media, people were talking about it, artists were discussing it. The ‘darkness’ was still touching and moving. Yet, there was an opposite force as a new kind of optimism that was even more dazzling. The city was creating new urban plans. The High Line was only one example of the greener thinking. This is to 2-year-old blog, which will feature …

What is a virtual feminist museum?

Griselda Pollock’s writes in her Encounters in the Virtual Feminist Museum: Time, Space and the Archive (Routledge, 2007), about the choice and power, as well as about alternative views in the curating of art. Spring time is full of art showings. Some of the contemporary art events used ideas that were earlier introduced. Current mixing of concepts and art are already well established. Where is art actually taking place, is it the person performing it, is it in unique details, or is art a social phenomenon, or is it in your subconscious? Looking into Griselda Pollock’s view on curating offers some interesting insights. Would art galleries be any different than museums from the perspective of power? In case there would be no space for alternative voices in the museums, would ‘officially’ curated galleries be any different? What Pollock implies is that ‘reading against the grain’ is much more than just aesthetical choices. Virtual feminist museum needs to touch silenced territories. Whose story will be told in the future is important. But we choose to follow the …

Our memories and futures

This is the day when we remember New York, the city with wounds, the city with radiant sparkle that lost so much of its future potential in one day, or did it start re-doing it? Dissonances are present in our memories, yet, we also recognize what our new futures might hold. Future is in people, in environment, in their harmonious co-existence. We can leave positive traces behind us, traces of the sun, traces of our bodies, movements, designs planting new hope. Let me share some of the silence and noise of the future potential. Give it away to the architecture that is there. Walk the High Line and look around you, sip a fruity cocktail in the luxurious Standard…When you stroll, find your own stone, find a wooden structure. I was walking ‘up’ the new High Line extension paying attention to the new park designs. As I went along, I was gladly absorbing a different atmosphere, I left the modernist and massive Standard behind me (believe me, I think it is fantastic), and stepped into …