All posts tagged: environment

Stephanie A Lindquist, Cowpea Lannea Edulis Sorghum African Nightshade (East Africa) part of Founded series 2018 Digital print on acrylic 44“ x 50” in.

Stephanie A Lindquist about philosophy of plants and art

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  Stephanie A Lindquist is a New York based artist and photographer, whose photo collages gather ideas of plants with world-wide origins.  Her works bring forth anscestral memories from diasporic places, and create meaning mapping our global existence as travelers and settlers. Food has always played enormous role in peoples adaptation to new places, creating and sustaining cultures. Art can have as much to say about this subject too.  Firstindigo&Lifestyle: I have understood your recent photography art is based on your research on plants that are native, local  or indigenous to areas. How did you start this art project? Stephanie A Lindquist: I started gardening and reading about plants and how to grow them. I was especially inspired by farmer, philosopher Masanobu Fukuoka. He is the father of natural farming and a proponent of natural dieting–both of which he believed to be beneficial for the environment and human health. According to Fukuoka, a natural diet consisted of local and preferably ancient plants–something nearly impossible for any urban dweller like me to accomplish. This sparked my interest …

Anne Raudaskoski, Textile hackhaton, photo credit: Sara Malve-Ahlroth.

Anne Raudaskoski on Ethica and the holistic approach

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  Anne Raudaskoski is a Finnish enterpreneur who wishes to create new connection to nature. Her approach can change the game of sustainability. With a background in dance, she has faith on the power of the arts:  “Arts provide a holistic approach to existence, and this is what we need to change the current linear system. Human beings are part of the nature; nature isn’t something that is “out there” to be exploited, but rather, we need to re-establish our connection with the nature to realise that we can create sustainable growth and well-being with far better rules than what we presently have”. (Anne Raudaskoski) Firstindigo&Lifestyle: When and how did you start Ethica consulting company? Anne Raudaskoski: I started Ethica in 2013 with my business partner Paula Fontell. We actually didn’t know each other at the time, but we both had been talking to our mutual friend of having a dream to set up a company focused on sustainability and the circular economy. This friend of ours suggested we should meet and share our ideas. …

Amelia Marzec’s Weather Center for the Apocalypse

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New York city based artist Amelia Marzec has been working on a project Weather Center for the Apocalypse since 2015. The work is presented during Climate Week in NYC, opening taking place on September 20, 2016 at United Nations Plaza. The artist has created an ongoing and evolving Weather Tower installation, which handles a theme of change in the environment and culture where we live in. Weather Center for the Apocalypse is an alert to an uncertain future as it predicts those “changes that could affect the autonomy of citizens in the event of disaster”. According to Marzec, the project offers alternative perceptions to the media-driven forecasts we constantly encounter, and takes seriously the fears and superstitions that we as community may have. Recently, the project was on display at Sixth Extinction Howl at Billings Library in the University of Vermont in Burlington, VT. Firstindigo&Lifestyle: How did you find weather? It is there all the time, but to become a derivative and subject for art, do you find it is common at all? Amelia Marzec: Currently there are a …

Artist in focus: Laura Anderson Barbata on art and community

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Laura Anderson Barbata is a transdisciplinary artist known for her onsite projects in Mexico, Venezuela, Trinidad and Tobago, the United States and Norway. She is currently working on participatory, collaborative works that combine performance, procession, protest, movement and wearable sculptures to convey a message. In this interview, Laura discusses her recent artistic work and collaborations, giving a sense of the issues that matter in our current society. Firstindigo&Lifestyle: Where do you live and work now, it seems you have multiple engagements across different continents at the moment? LAB: I work in NY and Mexico, my home country, but I am based in Brooklyn, New York although many projects often take me to different countries such as Jamaica, Venezuela and Norway to create and present projects. The work for each project is developed in my studio and onsite. Firstindigo&Lifestyle: You work with an exotic art form, stilt dancing, what is the story behind, how did you become interested in this culture? LAB: I became involved with stilt dancing communities in Port of Spain, Trinidad and Tobago in 2001 when I was …

Taryn Simon’s emerging bouquets

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At the Gagosian Gallery’s Chelsea location, opened a new exhibition around a theme of ‘impossible bouquet’.  Known for her challenging multidisciplinary photography, artist Taryn Simon has conducted extensive research for her current project Paperwork and the Will of Capital. The idea of ‘impossible bouquet’ refers to the Dutch 17th-century economy during which the market was booming. Simultaneously the birth of modern capitalism was reflected through the rich fauna of the era’s still-life paintings. The impossible bouquet is also an imagined bouquet. It includes flower pairings that cannot coexist in the natural world; the flowers are not blooming at the same time or they originate in different geographical locations. Today this economy has changed completely, when the global supply keeps bringing diverse specimen to the consumer’s market. The exhibition includes photographs of 36 bouquets formed as centerpiece and still-life. They gather thematically around 12 unique columnal sculptures, which also trace back to the fauna accumulated in the photography.  Next to the large photographs are their textual references connecting the arrangements to their sources.  The flower typologies …

Discover Teresita Fernández

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Teresita Fernández’s current solo exhibition is on view until December 31 at Lehmann Maupin’s 536 West 22nd Street location. Her seventh solo exhibit with the gallery coincide with her sculptural installation Fata Morgana, which is on view in Madison Square Park in New York. The gallery shows her latest body of work, including sculptures that are composed of intimate interior landscapes in concrete, cast bronze, and glazed ceramic. Recalling the artist’s earlier Rorschach pieces (2014) – a sculpture made of gold chroming, fused nylon, and aluminum – the new multidimensional works play with the idea of landscape and terrain. The theme of landscape in these Viñales pieces convey three-dimensional forms. The sculptures are detailed yet rough as they are somewhat fragmented, echoing of darkness and distortion, interior and exterior. Best known for her unique works and public projects, Fernández explores the natural world, as well as the scale, being sensitive to the act of looking, perhaps finding out about the human versus the landscape. Her conceptually-based art making includes research, and communicates with an entire world …

ETH Zurich pavilion attracted during IDEAS CITY festival

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ETH Zurich pavilion was constructed of waste materials and opened to visitors during the IDEAS CITY Festival in May 28-30, 2015. The 3-day biennial festival takes place in New York City in May mapping the future of cities with culture as a driving force. It is a collaborative event, including a conference and street festival, inviting to civic action, as well as giving a platform for creative ideas to be exchanged.  This year’s theme was inspired by Italo Calvino’s literary work Invisible Cities (1972). Participants explored questions such as transparency and surveillance, citizenship and representation, expression and suppression, in their daily lives.  Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else. (Italo Calvino, Invisible Cities) The ETH Zurich pavilion hosted events through the festival. What does a truly smart city mean to us was a highlighted theme around the site. The pavilion was entirely made of waste, so while our answers to what smart …

Subodh Gupta’s Seven Billion Light Years

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Subodh Gupta’s new exhibition ‘Seven Billion Light Years’ opens with multiple content, showing his performative sculptures, installations, films and a body of new paintings at Hauser & Wirth starting on February 10th. The exhibition takes root in the life in India which is his native country, addressing the local life where mundane and sacred exist side by side. Gupta is known for utilizing found everyday objects in his artworks, resonating meaning with utensils used in making and cooking food, as well as larger vessels such as a bicycle, on which smaller everyday objects are stacked. His works narrate about the culture of accumulation, where the people, food, and the daily exchange gets fused, appearing both chaotic and ritualistic. As a centerpiece of the gallery’s current exhibition is a series of new paintings called ‘Seven Billion Light Years’. These belong to Gupta’s signature subject of using basic kitchen utensils that are familiar to every Indian. Gupta’s art works raise questions, addressing what it means if the world’s people are not anonymous, but have identity and a …

Christy Rupp’s animalistic art

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Christy Rupp was presented at VOLTA NY’ 14 by Frederieke Taylor Gallery. The artist who is known for her 1980s public art projects, was at the art fair with her new work that raises questions about environmental threats and issues around wild animals and nature. One part of her presentation was a series of sculptures around microfauna from the Gulf of Mexico; artworks are made from welded steel and encaustic wax.  In another series of sculptures (images above), Rupp explored the relationship between ivory and energy. These were made in response to threats coming from drilling, addressing also accurate issues around poaching. The artist has made sculptures called ‘The Fake Ivory Series‘ (welded steel and encaustic wax) pointing that wild animal spices are threatened to extinction as they are poached for their tusks. The art stands for trophies as desired objects that include animal parts such as ivory.  Scrimshaw or tattoo-like scribbles on them make comments on the value placed on energy over life. The sculpture ‘Walrus‘, 2014, a mixed media work with credit card …

Artist Interview: Choreographer Simo Kellokumpu

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Sightseeing is a performative proposal to deconstruct an archetypal figure of tourism through a site specific procedure. It’s about shifting from sightseeing to siteseeing and what this involves in terms of spacialization and temporality of the seeing that can trigger a sight specific experience. (Simo Kellokumpu & Vincent Roumagnac) . Sightseeing is a Dance Film directed by Simo Kellokumpu and Vincent Roumagnac (FRA/FIN 2012, 28 min). The film will be part of the LOIKKA DANCE FILM-FESTIVAL next week in Helsinki. Firstindigo&Lifestyle: How did you choose dance and choreography? SK: I’m not sure if it is about choosing in my case –  I find it more like a development of perception within the conditions where I have lived. I have realized that choreography is something I have always been interested in, but I didn’t have a word for it before getting to know dance. As dance and choreography are two different media, what interests me now as a choreographer in choreography is to consider it as a form of (an artistic) practice, which articulates, shifts and …