Tag: fashion

  • Olena Jennings: THE MEMORY PROJECT

    Olena Jennings: THE MEMORY PROJECT

    In 2018, a New York City poet Olena Jennings created poetry based on her family’s stories, attempting to visualise photography with words. The poems that resemble photography, carry them as frameworks of memory. In Olena Jenning’s THE MEMORY PROJECT: The memory comes before the poem. The poem comes before the art.

    “I chose ink and paper for the poems. I chose fabric for the art. The poems are a small slice of time in which I experienced memories, many based on photographs in my grandparents’ photo album. I experienced the memories in 2018 and they were embellished by memories I was creating as I lived.” 

    The project was presented in various incarnations at Queens Farm, the Red Barn, and Bliss on Bliss Studio.

    POPPIES        Olena Jennings 

    Red and blue on the dresser,
    dust in the folds,
    stretching towards the dim lamp.
    Click of lipstick cap,
    spritz of perfume,
    snap of purse,
    and she will turn the light off.
    The flowers will wither
    into their dreams
    and I will put my lips
    into their centers,
    ready to blow away pollen.
    The yellow dust caught in my eyes,
    when I see for a moment
    from her perspective, I look out
    onto the yard. I see myself
    throwing a rubber ball into the flowers,
    crushing their petals,
    the place where I convinced
    my little brother there was a snake,
    there was something to fear.
    To make up for my deception,
    I gave him one of the plastic flowers,
    deceiving him again, pretending
    I bought it at the corner gas station
    from which we had collected all
    of our dishes with the points we got
    from pumping gas. I want to make up
    more than that now—absences
    when I would become like that yellow dust,
    a quiet star.

    Olena Jennings, Map Dress, installation view. Photo: Elvis Krajnak.

    PAPER MAPS        Olena Jennings

    Even flat maps have texture.
    They carry with them
    someone’s memory of the streets.
    I will walk near the water
    to draw the places off the map
    on the palm of my hand.

    We used to make paper
    out of recycled letters,
    rough, imperfect,
    for a moment – wet,
    on our knees
    ripping

    We mark our way to the castle
    with the handle of a shovel.
    We could live inside
    our fairytale, find our way
    despite the sand
    in our eyes.

    Poems and dresses by Olena Jennings. Photos of the dresses by Elvis Krajnak.

    https://www.olenajennings.com/

  • Artist profile: Man Yau

    Artist profile: Man Yau

    Man Yau is a Helsinki based artist currently living in New York City. Her art and design philosophy comes from craftsmanship, which means exploration with different materials. She collaborates genuinely with other designers and artists. Most recently, she exhibited @TheHoleNYC together with two other Finns, Jesse Auersalo and Nina Merikallio in their show called “Dislocation”.  Man says that having so many idols and mentors in her life makes it impossible to start with a particular list..

    But I do love a mark that Ettore Sottsass has left to the design history, I recently experienced a wonderful show by Daniel Leyva, Toshio Matsumoto’s “Shift” is better than weed, and streaming with my brother is always encouraging. -Man Yau

    Checkmate series by Man Yau ( artist, sculptor) and Jesse Auersalo (visual artist.) Photo: Megan Cullen @TheHoleNYC

    FIRSTINDIGO&LIFESTYLE: How would you describe your medium, intersection between art and design, using traditional materials to convey popular topics or trends? 

    MAN  YAU: Firstly, the intersection between art and design, what does it mean nowadays anyways? I feel that the borderline between art and design has been crossed, and more and more experimental design objects or functional art pieces are being produced. Secondly, I do use lots of mediums such as marble, porcelain, glass, wood and metals because I love working with my hands. Craftsmanship, it’s part of my philosophy of making. And it conveys to “popular” topics (I would rather say current topics) because I want to handle modern society’s movements in my work. The themes of my artworks reflect current trends that I see as a characteristic for our generation.

    Where did you exhibit recently, before showcasing in New York? How was the New York exhibit?

    MAN YAU: My latest project was a collaborative project with Finnish fashion designer Sophie Sälekari. I made a very experimental, haute-couture-ish bag collection for her line up. It was shown for the first time at Näytös14 (Organized by Aalto University, ARTS) and then the whole collection has been in different showrooms and in Paris Fashion Week. At the same time I exhibited in Milan Design week 2014, at the show room Spazio Milano C’est Chic together with Beacon Helsinki, this collective creative network group. Oh yah, I have now ongoing a group exhibition in Helsinki. It’s called Arts and Design of Tomorrow at Bukowskis Auction House in Helsinki.

    You have made beautiful skateboards out of porcelain, which is a statement of cultural trend, do you skate yourself?

    MAN YAU:  No I don’t, not my sport but skateboarding and all stuff related to it has been a big influence to me always. (Porcelain decks on vimeo: http://vimeo.com/48134455)

    What is the current art climate in Helsinki versus Europe?

    MAN YAU: Well It’s getting sunnier I guess tho it is still cloudy. By that I mean that Finnish design and fashion industry are rising with good speed but art comes behind. I think it’s because of the lack of financial support and branding. There are a lot of really amazing art projects going on all the time but the projects usually stays where it started from, in Finland. Not too many of us have change to go big, in global-wise.

    What do you consider as your future goals?

    MAN YAU: To become a self-employed artist with a good taste and who does not have to beg money from the foundations to support the project all the friggin’ time.

    What do you think of the global art market, do you have an opinion about it?

    MAN YAU: Interesting, crucial, if you get into the spin the cloudy days are over.

    Check out Man Yau’s website: www.manyau.fi

  • threeASFOUR spring/summer 2014

    threeASFOUR spring/summer 2014

    On September 8, 2013, avant-garde fashion collective threeASFOUR debuted their spring/summer 2014 line at The Jewish Museum as part of threeASFOUR: MER KA BA – exhibition. The collective’s fashion and art is inspired by the geometric patterns found in synagogues, churches and mosques throughout the world. For the nine sculptural dresses featured in MER KA BA, they use laser-cut lace, origami pleats, and 3D-printed textiles to unite symbolic patterns from diverse religions.

    (Video by Brian Gonzalez)

    The collectives 3 designers were born in different cultures:
    Gabriel Asfour is from Lebanon, Adi Gil from Israel, and Angela Donhauser from Tajikistan. Their approach to fashion is poetic and socially conscious. For threeASFOUR, couture is about more than just beautiful clothes; ‘it is both wearable art and a platform for their free-spirited philosophy.’ 
    — — —

    threeASFOUR’s MER KA BA installation exhibition is on  view until February 2, 2014, at the Jewish Museum in New York. Check the exhibition site.