All posts tagged: management

Training artists for innovation: Competencies for New Contexts

photo: Wilma Hurskainen: “He Doesn’t Like Water”, 2012 The book Training artist for innovation: Competencies for new Contexts was published in 2013, (the Theatre Academy of the University of the Arts in Helsinki in Finland). It discusses the topic of artists who are trained for creating innovation in various contexts outside their own artistic practice. The book is  based on a  project, which  gathers together different agents in European countries, who are leading artistic innovation. Kai Lehikoinen and Joost Heinsius are the editors of the book. The book-project brought together artists, companies, organizations, universities and cities, which have experienced artists working with them.  The idea for the publication came from the challenge that both society and businesses need new solutions and interventions, as they face changes.  Professional artists with artistic interventions can respond to challenges of today, bringing in new questions and ways of thinking. Artists “offer contradiction, as well as confrontation and friction, and they provoke new ideas.”   Training Artists for Innovation: Competencies for New Contexts argues that artists who take the challenge for …

"Elephant Love" Pop-up Shop: Crowdsourcing for art and charity

By Patricia Chow Last weekend I had my first photography show in Chelsea (New York City), as part of the High Line Open Studios.  Since my day job is in statistical research, this was my first experience putting together an art show – and it was fabulous!  The show was a great way for me to combine three completely separate facets of my life: the artistic side (I am a photographer and graphic artist); the volunteer side (I teach ESL 3 days a week); and my personal and professional networks, which were instrumental in ensuring the success of the show.     I first started to photograph when I was living in Spain in 1995, and much of my photography focuses on the different perceptions that a newcomer has of ordinary surroundings. Since beauty can only exist in the eye of the beholder, I have tried to convey the essence of what I find beautiful in a place, rather than what is commonly considered beautiful, which, in many cases, is simply familiar.  There are a …

Oblivia performance group and the Museum of Postmodern Art

Founded in 2000 in Helsinki, the international performance company Oblivia is truly a unique phenomena in the Finnish performance scene. The group transforms larger than life themes into minimalist performances. Oblivia’s group fuses different genres and nationalities. The members are from Finland and the UK have experiences in music, dance and theory, which allows them to play between suspended tension and sense of humor. Since its beginning, the group has attempted to create a common language in the performance. In June 2013, Oblivia will perform its recent work ‘Museum of Postmodern Art’ in the NEW Performance Turku Festival in Turku Finland. The performance is co-produced by at PACT Zollverein and Espoo City Theatre. The premier took place at PACT Zollverein, Essen in November 2012 and the Finnish premier was at Espoo City Theatre in November 2012. The performance is the first in a series of five and part of the five-year project Museum of Postmodern Art – MOPMA. Annika Tudeer, the founding member of Oblivia tells about the history of the group and about her …

Minna Tervamäki and a new contemporary ballet

Minna Tervamäki, a former principal dancer from the Finnish National Ballet, is heading to a full-fledged freelance career as a choreographer and producer. This dancer étoile discusses about her current work as a multiple entrepreneur in the field of contemporary ballet. Her new premiere together with Compañía Kaari Martin and Kare Länsivuori opens at the Savoy Theatre in Helsinki on October 17, 2012. Firstindigo&Lifestyle: The idea for interviewing you goes back to 2005, when you were rehearsing for your choreographic premiere “Something Else?”. This work was designed for three women dancers yourself including. You received very positive response when you hosted and produced your own evening presenting different choreographers. Would you describe how that influenced your later decisions to pursue your own productions? Minna: That was a turning moment. I had been sketching to my desk drawer (metaphorically) for years, but I lacked the courage, which was needed to do it. All of a sudden, I just decided to take a full dance evening into production by myself, literally producing it too. Now, after I …

Talk with Isira Makuloluwe (molecular biologist – come- choreographer)

Isira Makuloluwe is a choreographer living and working in London. He has  just finished a work called 1951 to the music of Czek ’60’s Avant-Garde composer Miloslav Istvan’s 1951 String Quartet for ProART Dance Company. It premiered on 27th July 2012. His first work to pre-existing ‘classical’ music and not made by his long-term composer Jennifer McConachie, it was a new page in the choreographer’s career, entering a phase where the interpretation of music through its theoretical construction and making movement from it has become of great importance to him. The fine line between choreographing to music and re-writing the music (without changing it) via the dancing body has become his focus. Firstindigo&Lifestyle: Isira, please, do not laugh; I’m wearing my glasses when I type. Tell me, how can a Molecular Biologist be a choreographer? It taught you awareness. What else? You have been choreographing since 2000, and before that you studied dance with various great dance masters in Europe and United States. Manola Asensio, William Louther, then you finished your studies at Alvin Ailey …