All posts tagged: Nordic

Riitta Ikonen’s artistic day dreaming

Artist Riitta Ikonen traveled recently to Greenland to discover new artistic work that reflects interaction between humans and their natural environment. Her exhibition, “Glacial Reveries”, is on view at The Chimney Exhibition & Performance venue in Brooklyn until February 7th. Interestingly, the body of work touches directly a topic of glaciers and their fate in the age of the anthropocene. Reveries, then, as a form of day dreaming, means for the artist a human survival strategy during the end of the world scenario. The objects include; a ”wetsuit for the tip of an iceberg, a lifejacket for a brick, eroded stones tied back together with strings, a video hidden in a suit, stairs leading up to cinder block windows”. Few year ago, Riitta Ikonen captivated her audiences with a collaborative photography project, Eyes as Big as Plates, which embeds something remarkable of the elderly human portraits, characterizing people among their surroundings. In this interview, the artist discusses her exhibitions, travels, artistic practice and plans. Firstindigo&Lifestyle: Could you tell about this ongoing project called ”Eyes as …

Eliasson’s ice revisited

Ice Watch will open to the public on Thursday, 3 December 2015, in the Place du Panthéon in Paris. This artwork by Olafur Eliasson and geologist Minik Rosing is part of the occasion of COP 21 at the United Nations Conference on Climate Change. Olafur Eliasson is a Danish-Icelandic artist known for his large-scale installation art, which often has a site-specific component. He has also worked with sculpture. The elements, such as light, water, and air temperature are essential parts in the works to draw the viewer into experiencing them as corporeal and sensory. Olafur Eliasson is not a newborn to the climate change issue; neither is he using blocks of ice for the first time in his installations. He has created interconnected works that are close to environmental happenings, proposing an innate sense of activism. How to catch great attention and international visibility with earthy and conceptual works, is his niche. Perhaps Eliasson artistry sometimes implies great attention with metaphysical value, but this fact is by no means discarding the materiality and tactility of …

Nordic nature: light and darkness represented

”As one follows the lines drawn at the map, across the light blue surfaces, further north, twists and turns, further north, straight lines, still north. This is where I see myself, at the island furthest north, at the North End, standing at the northernmost cliff, facing the North Sea.” (Tonje Bøe Birkeland/Lumiére, from Papa Westray in Orkney Isles, 1900) Darkness & Light contemporary Nordic photography –exhibition just opened on February 22nd at the Scandinavia House in New York City. Norwegian Tonje Bøe Birkeland’s photograph, displayed above, is part of her project that reflects how she takes on the role of fictional photographer Luelle Magdalon Lumiére (1873-1973), and recreates an imaginary journey to the Orkney Islands. Birkeland’s project travels back in time.  Her art combines photographs and texts, and she is also writing letters to Lumiére who as a traveler explored ie. western parts of Norway and New York. The artwork is an interesting dialogue between past and present, that is encompassing two life stories. Yet the images appear dreamlike hovering between fiction and reality. Two …

The Scandinavian American Theater Company’s evaporated themes

The Scandinavian American Theater Company (SATC) has through its 5 year of existence engaged itself to an array of controversial themes, which question, evaporate, give new perspective, challenge, and perhaps empower the very notion of the ‘Scandinavian’ theater tradition, as it might appear in the world marketplace.  The theater company was started by Danish actor Albert Bendix, who after landing in the New York theater scene in 2006, had a vision to establish a collective of theater artists who would represent talent from various Nordic countries. The idea was to bring a Scandinavian perspective to local scene; introducing a new generation of Scandinavian playwrights and theater artists with great ideas and work. In 2014, the company has already proven that the Scandinavian perspective offers both interdisciplinary ideas and multiple voices. The works and approaches create dialogues between current world trends and contemporary artists, and genre tradition and historical themes. The end products are narratives that are empowering.  SATC Founding Members are: Henning Hegland (Norway), Albert Bendix (Denmark), Lisa Bearpark (Sweden/US), Sebastian Nyman Agdur (Sweden/UK), Vigdis …

Finnish Paloni designers come to New York

MINNA SÄRELÄ is a founder of Finnish design collective PALONI, which is coming to New York this weekend to open a pop-up store during the fashion week. PALONI shop will be open through the end of February at the Ivana Helsinki NYC Concept Store. Their motto is: YOU CAN CALL IT DESIGN, INDIE FASHION, ART OR HANDICRAFT. WE CALL IT PASSION.   Firstindigo&Lifestyle: Minna, I was so happy to hear that PALONI is coming to New York, tell me little bit about this ‘invasion’? Minna: I founded Paloni one and a half years back, and lately started to feel that it’s time for the next step, broadening our scope and doing the first international project. New York opened as an opportunity through another Finnish fashion company Ivana Helsinki. After I got to discuss with their crew, things started going forward very fast. Our designers are very excited about this project and the possibilities it offers. We had a total of 37 Finnish designers joining the project, despite a very tight schedule for the preparations. Now …

‘New Nordic Oddity”?…and other design definitions

What I find very intriguing in the current design-discussion, is the questions of how we signify the things, and how we see the world-object -relations from different points of view. What now seems timely, is to define and differentiate ourselves as consumers with more softer values. We are ‘humans’ after all, meaning that we are responsible of the planet, therefore, what kinds of significations we give to the things and objects in the era of mass-production is crucial. How we consume, how we define what we consume, how we differentiate things, adds value to the objects. The meaning-systems behind the branding of products are referential, but they are also truthful from the point of view that they engage our participation in the entire definition-game. As it is also true that what kinds of nouns and adjectives we give to the objects, puts them on the market more. Where comes a need to define the objects, which we use, which surround us, and so on? A question is relevant in relation to design, since we incorporate …