All posts tagged: painting

Patricia Chow and the meaning of ultramarine

  By Patricia Chow I moved to Los Angeles in 2014, after 11 years as a New Yorker. During those years, I went to graduate school, began and finished a career, learned to love opera, and mounted my first fine art exhibition – a crowd-sourced photography group show that was simultaneously a fundraiser for the nonprofit where I was a board member. What I never did in New York City was paint. At the time, my relationship to painting was purely as a viewer, standing a respectful distance away, wondering how in the world they did that. Who would have thought that three years later, at the instigation of my Los Angeles painting professor, the indomitable Barbara Kerwin, that I would find myself pursuing a graduate degree in painting?   Our first-year MFA group show was titled “Twelve,” for the 12 of us that started the MFA in Art program at Claremont Graduate University this past August. The works I created for the show were made with oil pigment sticks, built up into a thick …

Francie Lyshak about painting

After four decades in painting, American artist Francie Lyshak has a deep knowledge on her practice. A woman-artist who has a lifelong approach to learning, finds nature and it’s varying stages influencing her work. The artist examines nature also with photography. It seems, as if those pictorial notes would transfer into her paintings with subtle poetry and movement. In this interview, she discusses her career, love of painting and the meditative approach to being with her art. Remarkable is how the artist views art as a career, also in psychological terms as a radical act. Francie Lyshak’s recent paintings, which examine movement and gestures, will be on view until April 27, 2017 in the Carter Burden Gallery of NYC. Firstindigo and Lifestyle: How did you find yourself doing painting? Where did you grow up? Francie Lyshak: I will share with you two central memories that are at the very early roots of my art career (before it begun): I am in Detroit, Michigan, in a single family home with a nice yard. I am a small child, somewhere between …

Tyko Sallinen, Leppiä keväällä, Alder Trees in the spring, 1911, Courtesy of HAM, photo Hanna Riikonen.

Dive into Finnish Modernism: Tyko Sallinen and Tove Jansson exhibitions in Helsinki Art Museum

With the current exhibitions focusing on the historic works of Tyko Sallinen and Tove Jansson, The Helsinki Art Museum HAM draws attention to modern Finnish art. Both exhibitions opened in January 27, 2017. Sallinen’s exhibition will run until the Fall of this year, and Tove Jansson’s frescos will remain on a permanent display in the museum. The exhibition of Tyko Sallinen (1879–1955), explores works of a Finnish modernist pioneer in painting who is also a representative of expressionism in art. The exhibition consists of 50 works from the artist’s most important period, the 1910s. Tyko Sallinen’s expressionist works had a meaningful impact on Finnish art in the beginning of the 20th century. He and some other like-minded artists introduced new ideas into the Finnish art field, as their approach met open opposition and critique from the older generations of artists. Sallinen was painting portraits of people, which became a signature marker of his often personal and intimate works. These one person and group portraits were also considered scandalous in their time because of their expressionist and emotive approach to people. Yet, …

Teresa Dunn, Motherload -exhibition

Teresa Dunn: Motherload

Painter Teresa Dunn has her new exhibition Motherload on view until June 18 at the First Street Gallery in New York. Her current show depicts recent oil paintings and mixed media works on paper and canvas. For this exhibition, the artist who masters the Renaissance school of nature and human portraiture to the fullest forms has adopted new richness of palette. Her repertoire has gotten fuller, perhaps partially due to the size of the panels, paper and the use of triptychs, which allow larger developments and almost surgical dimensionality. Now the center is the body as tissues and palpable beats. In these new works, the body is joined with the amounts of vegetation, which makes the skin appear as fruitful foliage. Painter Teresa Dunn is making serious rising; she is represented by the Hooks-Epstein Galleries in Houston, Texas, and by Galerie l’Échaudé in Paris in France. In an action packed painting there was a pause, when Teresa Dunn imagined communities within narrative landscapes full of thick Renaissance color and light. The water rose through the …

Camilla Vuorenmaa carves wood into paintings

Camilla Vuorenmaa is a young visual artist focusing on the human experience and the everyday encountering between people. She creates portraits with full of affect that stem from an exceptional artistic medium. Her portraits appear on carved wood as vigorously painted characters. An award-winning Finnish artist had a recent museum exhibition at the EMMA – Espoo Museum of Modern Art in Finland. The main motive in my works is the individual experience and a sort of portrait. Effort, success and experiences of failure, the dignity of everyday life, affection, frustration and the experience of innocence and pain are subjects I reflect in my works. Mainly I portray the figures as themselves, doing some kind of a activity or being in the middle of it. Fundamentally we are all alone with our personal experiences. -Camilla Vuorenmaa   Firstindigo&Lifestyle: How did you find your recent artistic medium, is it common that an artist combines woodcarving and painting together? Camilla Vuorenmaa: I started to work with wood year 2010, when I had the first opportunity to work as …

Interview: Eric Decastro, a French painter

French artist Eric Decastro is known for his large-sized paintings that he constructs using the dripping technique. He is focused on creating a balance of color and light by applying thick impasto into canvas. Since 2008, Decastro has been running an art space Kunstraum Dreieich | Artspace Frankfurt in Germany that promotes artists with the motto of welcoming them back. The artist himself has a solo exhibition A Whiter Shade of Pale, Level 2 in New York City at The Bronx Art Space, until April 30. Decastro is also showing as part of the DOPPELGÄNGER -exhibition, which is currently at Torrance Art Museum in California, and runs until May 28. The group show is a dialogue between German and US artists, and is curated by Dr. Julia-Constance Dissel and Sandra Mann from Germany together with Los Angeles-based curators Ichiro Irie and Max Presneill. The exhibition explores similarities of practices within globally expansive and hyper-connected art production. In the solo exhibition at the Bronx Art Space, the visitor encounters a poetic cosmos, ‘which is intentionally designed to allow the illusion of landscapes or outer spaces.’ The theme of …

Julian Stanczak’s color energy

If you can imagine color energy that bounces back from the walls with blues, reds, greens, and yellows with prismatic and subtle intensity that resembles music, Julian Stanczak’s paintings are for you. The seasoned painter at 86, believed in the power of the abstraction, and in the musical inspiration in his art-making, as he posed in front of his painting during the opening of his solo-exhibition in New York. Stanczak’s exhibition ‘From Life’ is now on view at the Mitchell-Inness & Nash -gallery and will run until December 6. As a young boy, the painter had wanted to be a cellist, and transferred his emotive passion into his paintings. Even a recent work from 2011, titled as ‘Proportional Mixing’ (2011), still handles colors in abstract modalities like in musical compositions. The gallery’s first solo exhibition of Stanczak’s work comprises of a dozen large-scale paintings from the 1960s to the present, including works that have not been seen in the public view for decades. Now on view are artworks, in which the colors are arranged in …

Teresa Dunn’s Event Horizon at First Street Gallery

Teresa Dunn is a Michigan-based artist whose narrative paintings on panel explore worlds with texture and complexity. Her recent paintings, now on view at First Street Gallery in New York City, are full of figures who are confronting points of no return. The strong exhibition title Event Horizon displays works full of ‘tightrope walkers’, burning boats, exposed flesh and rising waters; all this as if the settings create dreamlike atmospheres. The narratives put the characters and their motivations in tests when they look into the incongruous landscapes around them. The works are full of story, where mothers and fathers, animals and children, friends and strangers interact in tightly woven communities. The paintings depict absurdity and metaphorical allusions. Together the works link into each other, and so rearrange the reality in a new order. As the artist states: Peculiar reality becomes normal, as in dreams or memory. Amidst bizarre sequences of events, dreams are believable when we are immersed in them. Memories distort, dissolve, and rearrange themselves until we are unable to discern fact from invention. …

Japanese Nakajima Mugi paints blue on blue

Japanese artist Nakajima Mugi’s works open into a world of intense color and detail, and are filled with nuances and interactive play around the hues of the natural world. The artist often thinks and displays his works in pairs, as a group of three, or even in large groups on the wall. Putting the art pieces together changes the atmosphere of the space. What attracts me in his style is probably the technique of letting the color drop on canvas while in the process, which results in a possibility of chance, or accident. Yet the control of the colors and their order in the palette is made by the artist who masters the materiality of his vision. A series of paintings ‘blue on blue’ represents chaosmos paintings which are abstract (chaosmos: chaos and cosmos). The vivid colors of acrylics show off the surfaces of plastered paint. The ‘cosmos’ means order where accumulation of drawings create an entire landscape. The outcome comes close to patterned design textiles that expose bold attitude. Japanese and Finnish design and …

VOLTA NY 14: art speaks back from the walls

Jennifer Wynne Reeves creates collages on boards that some include wire, some hair or feathers, and some thick applications of paint. This approach could by no means represent flat wall art. The dimensionality makes the art continue in space. Objects and paint are not decorative art either, but there is something folk-art in them; or retrospectively ”American” influences. These works suggest, as one work is titled, voluptuous meanings that are material, sensuous and touchable. Reeves writes as part of her artistic practice. Writing collide with personal meanings, and is symbolic in nature. Her statements, or poems end up being part of the artwork itself. The artist was presented at the VOLTA by New York City gallery BranvinLee programs. The art presented at the art fair spoke about her illness, which is also reflected in her writing: I think I might not be alive to go to my opening next September. I think I should rush to finish things. I wonder why my body is doing this or that. I think Christmas will be long. I …