All posts tagged: performance

Dance meets art at Loretta Howard Gallery

Yvonne Rainer’s work Trio A (1966), is one of the most enchanting dance pieces of dance history that paved the way to contemporary and postmodern dance practices. It is an interesting choreographic work, not least because it is exhilarating from pure performance and performer points of view. How many times do contemporary performers get immersed in new projects, where choreographers and directors inquire effortless, non-virtuous task-oriented movements and behavior to use them as backbones for their pieces. This in fact is not so easy to accomplish at all. As what performer goes through is not so much about ‘performing’ from a merely audience seduction point of view, but follows more a neutral way of not-doing too much. This might sound complicated, but makes all sense when in dance the performers start tapping the space, letting their bodies organize the way through the space. The inheritance of this type of movement in dance, a meticulous way of appearing happens sometimes simultaneously in conjunction to things and objects. In sculptural and spatial terms, the dancer is like …

Many talents of Artist-Professor Pirjo Yli-Maunula

In June 2010, Finnish dancer and choreographer Pirjo Yli-Maunula was one of the four dancers to travel up the Muonio and Torne Rivers in Finnish Lapland. Their living and dancing installation River Woman was built on a ferry consisting of plastic bottles (about 25 000 plastic bottles were used to build a diameter of ten meters ferry, which operated a gliding dance-installation on a stage across the Muonio and Torne Rivers). Pirjo Yli-Maunula (being the main incubator of the project), dancer-choreographer Reijo Kela, and dancers Catherine and Anne Angeria were on a three-week river trip from Karesuvanto to Tornio performing to the audiences on the way. This dancing ferry is a kind of project that Pirjo Yli-Maunula would create, telling about how we are close to nature, and the nature is a stage for everything we do. Her performance projects – often taking place in the Northern Finland – have involved local audiences to participate and collaborate in mesmerizing ways. FI: What are you doing these days, you have quite a long career as an …

Sam Kim: on choreography, residencies and intuition

What kinds of projects have you been working on recently?   I began a new work during a residency at The MacDowell Colony (Peterborough, New Hampshire) last fall.  I just started creating content loosely, on my own body, without any set parameters.  I found that I was still thinking a lot about a piece I made in 2007, “Cult,” a duet for myself and another woman, that still had a lot to offer.  I never want to name the “aboutness” of a dance because I don’t believe that’s what the form has to offer, but there is something about a fucked-up relationship between two women who have a relationship that’s too intimate, in that work.  I wanted to return to that land because I knew there was more to mine.  I knew I didn’t want to make a solo, so I held an audition to find performers.  This was a strange move for me, if only evident to myself.  I think it’s not the downtown dance way of doing things, but I was really interested …

Alpo Aaltokoski: Faux, Sahara, and kinesthetic communication

Choreographer and dance pedagogue Alpo Aaltokoski is one of the pioneers of Finnish contemporary dance. He remembers how it all started. In the 1980s, for example, it was the trend in Finnish choreography to use army style landing-boots as a choreographic device. Then, using strong visual effects and technology in contemporary dance performances was established fast. Aside from creating visually appealing multidimensional dance works, Aaltokoski has been a key educational voice in the Finnish dance culture. He believes that dance belongs to everyone, including the children and the young people, and it should be part of  their primary education. According to him, dance art and dancing body create affects and tell stories that are different from our ordinary conversations. Outside Europe, Aaltokoski’s own dance company has appeared in The US, Canada, Central America, South America, Asia and Africa. For many years (until 2012), choreographer Aaltokoski was the artistic director of the Full Moon Dance Festival (Täydenkuun Tanssit), which is a well-known Finnish contemporary dance festival in the world. Between 2003-08, he held a position of …

Artist Interview: Choreographer Simo Kellokumpu

Sightseeing is a performative proposal to deconstruct an archetypal figure of tourism through a site specific procedure. It’s about shifting from sightseeing to siteseeing and what this involves in terms of spacialization and temporality of the seeing that can trigger a sight specific experience. (Simo Kellokumpu & Vincent Roumagnac) . Sightseeing is a Dance Film directed by Simo Kellokumpu and Vincent Roumagnac (FRA/FIN 2012, 28 min). The film will be part of the LOIKKA DANCE FILM-FESTIVAL next week in Helsinki. Firstindigo&Lifestyle: How did you choose dance and choreography? SK: I’m not sure if it is about choosing in my case –  I find it more like a development of perception within the conditions where I have lived. I have realized that choreography is something I have always been interested in, but I didn’t have a word for it before getting to know dance. As dance and choreography are two different media, what interests me now as a choreographer in choreography is to consider it as a form of (an artistic) practice, which articulates, shifts and …

Marron Atrium in MoMA shaked with performance

{Artwork hanging on the wall of Marron Atrium during Sarah Michelson’s choreography “Devotion, study #3”} Atrium is to be violated, says one of the choreographers. There is nothing there, and the museum space with its white walls is so institutional. Does the empty atrium distance the museum’s audience? It is often showing the architectural without art. But it can be the performance space for all kinds of works. Some sweet day was a three-week (October 15-November 4, 2012) program of dance performances by contemporary choreographers in the MoMA’s Marron Atrium. New York’s Museum of Modern Art was showing works from several mature choreographers, who gained international status, and who experiment with concepts, performance art and contemporary art. American experimental choreographer Dean Moss has worked together with visual artist Laylah Ali. Their work “Voluntaries”, which explores the legacy of John Brown, was performed during the first week. The Judson Theater founding members Steve Paxton and Deborah Hay were invited as pioneers of performance. Presenting for Paxton, who included two of his works from 1960s, in art …

Minna Tervamäki and a new contemporary ballet

Minna Tervamäki, a former principal dancer from the Finnish National Ballet, is heading to a full-fledged freelance career as a choreographer and producer. This dancer étoile discusses about her current work as a multiple entrepreneur in the field of contemporary ballet. Her new premiere together with Compañía Kaari Martin and Kare Länsivuori opens at the Savoy Theatre in Helsinki on October 17, 2012. Firstindigo&Lifestyle: The idea for interviewing you goes back to 2005, when you were rehearsing for your choreographic premiere “Something Else?”. This work was designed for three women dancers yourself including. You received very positive response when you hosted and produced your own evening presenting different choreographers. Would you describe how that influenced your later decisions to pursue your own productions? Minna: That was a turning moment. I had been sketching to my desk drawer (metaphorically) for years, but I lacked the courage, which was needed to do it. All of a sudden, I just decided to take a full dance evening into production by myself, literally producing it too. Now, after I …

Talk with Isira Makuloluwe (molecular biologist – come- choreographer)

Isira Makuloluwe is a choreographer living and working in London. He has  just finished a work called 1951 to the music of Czek ’60’s Avant-Garde composer Miloslav Istvan’s 1951 String Quartet for ProART Dance Company. It premiered on 27th July 2012. His first work to pre-existing ‘classical’ music and not made by his long-term composer Jennifer McConachie, it was a new page in the choreographer’s career, entering a phase where the interpretation of music through its theoretical construction and making movement from it has become of great importance to him. The fine line between choreographing to music and re-writing the music (without changing it) via the dancing body has become his focus. Firstindigo&Lifestyle: Isira, please, do not laugh; I’m wearing my glasses when I type. Tell me, how can a Molecular Biologist be a choreographer? It taught you awareness. What else? You have been choreographing since 2000, and before that you studied dance with various great dance masters in Europe and United States. Manola Asensio, William Louther, then you finished your studies at Alvin Ailey …

Susanna Leinonen’s ‘Disturbed Silence’

There is a silence, which is about noise. There is a silence, which leaves only little possibility to run away from its scrutinizing notice. Could it be like the first silence on the earth, or something that one finds in deserted places and in the wilderness? An almost “absolute silence of the world’s dawning. In such suspension, before every utterance on earth, there is a cloud, an almost immobile air” (Luce Irigaray 2001, 3). Can one find a place in silence? Aristotle’s Physics (IV) states: The proof of place is in transformation of elements in place. So if the place is found in silence, something must occur, or change. Silence must be disturbed so the existence of a place is proofed. When I approach someone’s creative work, I ask myself a few questions. First, I think that many times the core elements in creation are similar. Second, there are couple of things that need to be considered: What is the collegial bases What are the experiences, similarities/differences gained How is the knowledge, and the fields …