All posts tagged: sculpture

Linda Cunningham’s Whose Land? Whose God?

Linda Cunningham’s sculptural installations speak many languages. Much of her recent work has been tapping into environmental specificity relating to the South Bronx waterfront. The artist has explored a topic of climate change in urban environments. Through July-August, Cunningham has her solo exhibition up in Brooklyn at the celebrated ODETTA. The current show features a large installation of her sculptural pieces well put together with drywall photo collages, both mediums that Cunningham frequently works with. This time Cunningham’s exhibition features textual patterns as mixed media works. The images display historic texts, which carry references to three monotheist World religions (Judaism, Christianity, and Islam) in earlier times when the cultures co-existed peacefully, a scenario impossible to imagine now. Many of the texts seem to be fragments that have been saved, depicting religious writings in Coptic, Hebrew and Arabic. The title of her exhibition: Whose Land? Whose God?, also includes remnants, which the artist acquired from the Berlin Wall in 1989. As the artist herself is well-traveled, behind the exhibition story is an expedition. Firstindigo&Lifestyle: Let’s talk a bit about …

Diana Al-Hadid: Liquid City

Diana Al-Hadid: Liquid City is an exhibition full of history that is so relevant today. Al-Hadid’s solo show is currently on view through September 24, 2017 at San Jose Museum of Art in San Jose, California.  Liquid City is like a micro-cosmos of a world, in which the observer has carefully assembled her sharp point of view towards the core. It features an art-historical study on a matter that is hybrid and timely in the world, where archaeological sites and cultural homes are disappearing in front of our eyes. The subject is immense, but in this exhibition, the history gets rewritten in more pleasant terms. The exhibition focuses on Al-Hadid’s creative process by bringing together works and related primary source materials. One example of this fruitful exchange is a large sculptural installation titled Nolli’s Orders (2012), which refers to Giambattista Nolli’s landmark 1748 map of Rome. The artist has included a reprinted folio of Nolli’s map and works on paper by old masters, to support the idea for the sculpture. The two-dimensional papers are an interesting contrast to the …

Interview: Yasushi Koyama, cuteness and nature in Finnish and Japanese aesthetics

Japanese sculptor Yasushi Koyama lives in Helsinki, Finland and exhibits frequently in the local galleries. In this interview, he ponders the aesthetics behind his cute wooden sculptures. The artist brings the two artistic worlds together in his deep knowledge of both Finnish and Japanese cultures. One of his revelations connects to an idea of etic (or ethic), a general belief that influences people’s behavior and attitudes. Firstindigo&Lifestyle: When did you move to Finland, and how did you decide to go there to study? Yasushi Koyama: I moved to Finland in Autumn 2007 to study Fine arts in Saimaa University of Applied Sciences in Imatra. In 2006, I met Finnish printmaker Tuula Moilanen and took her art courses in Kyoto Japan. She was a good teacher and gave me some advice for Finnish education and art school. Then I decided to come to Finland to study. Firstindigo&Lifestyle: What is the best part of having two cultures to live in and with? YK: The best part is to have another viewpoint beyond one culture. In addition, in my own artwork Finnish culture …

Ai Weiwei @ Helsinki

Chinese artist and activist Ai Weiwei’s exhibition opened in Helsinki in September 2015. Ai Weiwei @ Helsinki will be on view through the end of February 2016. His first solo exhibition in Finland features 25 works from 1985 to the present, including selection of wooden sculptures and installations, and taking materials from antiques and building structures of old temples. Ai Weiwei’s exhibition is connecting to historical China, raising contemporary questions and speaking of the critical voice, which requires to be heard. The exhibition narrates of the personal and the cultural, weighting the nuances that the artist has tested in practice. Ai Weiwei is the artistic figurehead for thinking how today’s east meets west in many forms. I call my perception of the works ‘massivity of matter’. Firstly, the amount of matter in a museum space probably recalls any sculpture display as the intervention of matter over the space. In this exhibition, however, the sculptural speaks together with the space, the airy high ceilings are breathing with the objects. Second, the massivity of matter is more …

Jasmin Anoschkin’s clever sculptures

Jasmin Anoschkin is a Finnish artist working with ceramics, wooden sculptures, drawings and painting. She is a member of the Arabia Art Department Society and has exhibited widely for the past ten years. The unique world of sculptures crafted by the artist includes expressive statement pieces. These works feature something of the magical world of animals that have spirits. As if animated, they are calling you to bond with them and follow them into the world of stories. Some of the sculptures also speak slightly of the aesthetic language borrowed from contemporary folk art. Firstindigo&Lifestyle: Could you tell your story of becoming an artist? Jasmin Anoschkin: When I was five years old, I figured out how to draw from a visual image. I was able to copy an image to another page, which made me feel pure amazing. At that time, I also started to sew and crochet small sculptural objects and flowy skirts. I guess I had a chance to do this since my mother was staying at home with me, and my siblings …

Discover Teresita Fernández

Teresita Fernández’s current solo exhibition is on view until December 31 at Lehmann Maupin’s 536 West 22nd Street location. Her seventh solo exhibit with the gallery coincide with her sculptural installation Fata Morgana, which is on view in Madison Square Park in New York. The gallery shows her latest body of work, including sculptures that are composed of intimate interior landscapes in concrete, cast bronze, and glazed ceramic. Recalling the artist’s earlier Rorschach pieces (2014) – a sculpture made of gold chroming, fused nylon, and aluminum – the new multidimensional works play with the idea of landscape and terrain. The theme of landscape in these Viñales pieces convey three-dimensional forms. The sculptures are detailed yet rough as they are somewhat fragmented, echoing of darkness and distortion, interior and exterior. Best known for her unique works and public projects, Fernández explores the natural world, as well as the scale, being sensitive to the act of looking, perhaps finding out about the human versus the landscape. Her conceptually-based art making includes research, and communicates with an entire world …

Dance meets art at Loretta Howard Gallery

Yvonne Rainer’s work Trio A (1966), is one of the most enchanting dance pieces of dance history that paved the way to contemporary and postmodern dance practices. It is an interesting choreographic work, not least because it is exhilarating from pure performance and performer points of view. How many times do contemporary performers get immersed in new projects, where choreographers and directors inquire effortless, non-virtuous task-oriented movements and behavior to use them as backbones for their pieces. This in fact is not so easy to accomplish at all. As what performer goes through is not so much about ‘performing’ from a merely audience seduction point of view, but follows more a neutral way of not-doing too much. This might sound complicated, but makes all sense when in dance the performers start tapping the space, letting their bodies organize the way through the space. The inheritance of this type of movement in dance, a meticulous way of appearing happens sometimes simultaneously in conjunction to things and objects. In sculptural and spatial terms, the dancer is like …

Visiting Linda Cunningham’s studio

Last month, New York based artist Linda Cunningham showed me her art studio in the Bronx, where she lives and works.  It is located next to the Bronx Art Space that is fostering arts education and collaborative artistic projects. She told me stories behind the art works, both the sculptural works and the collages that combine drawing and photography.  The studio is in a newly renovated building nestling at the heart of the historic urban Bronx. Firstindigo&Lifestyle: Linda, you were one of the first artists to come to this location, how was the neighborhood back then, it’s been now a good fifteen years? You did a series of artwork digging into the Bronx history, in which immigration was a theme or a subject. There seem to be real person’s story involved, including documents, such as passports with photos. Could you tell about the project that was exhibited at the Andrew Freedman house in 2012? LC: When I first moved to this historic landmarked area of the South Bronx, I began photographing the now renovated 19th …

Anish Kapoor returns to Italy with Descension

Anish Kapoor returns to Italy with a new exhibition Descension, a project produced specially for the former cinema and theatre space of Galleria Continua in San Gimignano. The exhibition takes its name from the installation Descension, which is a black whirlpool consisting of motor-powered water swirling towards its center. Interested in binary relations and opposite energies, Kapoor (born in Bombay in 1954, lives in London) poses alchemical questions with the large scale installation. It creates paradoxical ideas of matter, energy and the universe, which also touch our human core and perception. The exhibition opened on May 2 and will run until September 5, 2015. The exhibition features a series of new sculptures in alabaster, in which the artist has meticulously carved out a more refined section. We can expect that the concepts of infinite and time are buried within their form and substance as they appear in nature. The intense red (and kind of orange) embedded in the translucent qualities of the alabaster sculptures suggest organic qualities. But idea travels well through the entire exhibition, …

Frieze NY2014: reading sculpturally sensuous terms

Philosopher Gilles Deleuze has suggested that among the arts, sculpture presents perhaps best those qualities that are materially sensational. The sensation of stone, metal and marble vibrate according to strong or weak beats. Then, there are protuberances and cavities in the material that resonate with each other. The set-up of the sculpture with large empty space between the groups, or within a single group, makes it that one no longer knows whether it is the light or air that sculpts or is sculpted (Deleuze: What is Philosophy).   Sensations attached to the materiality in sculptures relate to ideas of tactility (perceptible to the touch; tangible). Our experiences of materiality has shifted, as 21-century cultural landscapes keep molding our tactility through complex body-digital technology relationships, changing our imagination of the virtual spaces. Contemporary sculpture is reflecting some of these shifts, showing powerfully the time beyond the current, the moment at hand. Among some of the interventions, Frieze 2014 in New York City paraded a loss of the technological overrule. The disengagement from materiality at large, was …