All posts tagged: Venice Biennale

Bettina Pousttchi: World Time Clock at the Smithsonian’s Hirshhorn Museum and Sculpture Garden.

Bettina Pousttchi explores world time and architectural history in east coast premiere

Bettina Pousttchi is a Berlin-based artist working in photography, video, and sculpture. German-Iranian artist studied at the Kunstackademie Düsseldorf, and participated in the Independent Study Program at the Whitney Museum of American Art in New York from 1999–2000. Pousttchi has exhibited throughout Europe, including Amsterdam, Berlin, Köln, and London, and participated in the Venice Biennale in 2003 and 2009. She held her first U.S. solo exhibition in 2014 at the Nasher Sculpture Center in Dallas, Texas. Through photography and sculpture, Bettina Pousttchi is interested in altering architectural buildings and monuments as indicators of the past and media of remembrance. Currently, the artist exhibits in two different museum spaces in Washington D.C. First exhibition titled Bettina Pousttchi: World Time Clock is on view until May 29, 2017, at the Smithsonian’s Hirshhorn Museum and Sculpture Garden filling the museum’s third-level inner-ring galleries. Concurrently with the World Time Clock series, The Phillips Collection presents her second D.C. appearance with the works titled Double Monuments. This exhibition by Bettina Pousttchi  is on view until October 2, 2016. Pousttchi’s exhibition at the Hirshorn is a premiere …

Anri Sala’s musical mystery

“Anri Sala: Answer Me” -exhibition, which will be on display at the New Museum until April 10th, 2016, features multichannel audio and video installations. In his recent works, Albanian artist Anri Sala has interpreted musical compositions, classical works so to speak, with experiments that are structured into video and sound installations. The monumentally compound works navigate through the limits of our perception; mapping the sound and the spatial, and investigating the sound in the architectural spaces. This experiment transformed New Museum floors into symphonic areas of soundful meaning, leaving room for small encounters. Anri Sala’s often political works have tested the boundaries of sound and language in our construction of cultural realities. From cultural point of view, his works seem to investigate contexts that are outside the dominant aspects of reality. Or the realities are rather revealed through the layering of world of sounds. We have adopted a notion that the words create the meaning in our cultural communication. Yet, as Sala with his approaches has shown, it is possible to challenge this definition further …

Taryn Simon’s emerging bouquets

At the Gagosian Gallery’s Chelsea location, opened a new exhibition around a theme of ‘impossible bouquet’.  Known for her challenging multidisciplinary photography, artist Taryn Simon has conducted extensive research for her current project Paperwork and the Will of Capital. The idea of ‘impossible bouquet’ refers to the Dutch 17th-century economy during which the market was booming. Simultaneously the birth of modern capitalism was reflected through the rich fauna of the era’s still-life paintings. The impossible bouquet is also an imagined bouquet. It includes flower pairings that cannot coexist in the natural world; the flowers are not blooming at the same time or they originate in different geographical locations. Today this economy has changed completely, when the global supply keeps bringing diverse specimen to the consumer’s market. The exhibition includes photographs of 36 bouquets formed as centerpiece and still-life. They gather thematically around 12 unique columnal sculptures, which also trace back to the fauna accumulated in the photography.  Next to the large photographs are their textual references connecting the arrangements to their sources.  The flower typologies …

IC-98 art duo from Finland

Firstindigo&Lifestyle interviewed artist duo IC-98 from Finland, who are Patrik Söderlund and Visa Suonpää, respectively. Their recent site-specific installation ‘Hours, Years, Aeons’, was produced for the Pavilion of Finland at the 56th International Art Exhibition of the Venice Biennale. IC-98 projects scale with in-depth research; being abstract and taking form in installations and in publications. Their animation language draws from the collective history of nature and culture. As the duo says: Our work is post-historical, it is set in a distant future after the age of man. It’s about nature, which still has to deal with the consequences of the human era. It’s not natural nature, but a twisted one.   Firstindigo&Lifestyle: How did IC-98 get started, what was your thesis during the first few years? IC-98 (artist duo Patrik Söderlund and Visa Suonpää): We met at the University of Turku, majoring in Cultural History and Art History. We wanted to broaden the scope of academic writing by bringing our “writing” into public space. This idea became our program: to make site-specific interventions in public …