All posts tagged: popular

Visiting Linda Cunningham’s studio

Last month, New York based artist Linda Cunningham showed me her art studio in the Bronx, where she lives and works.  It is located next to the Bronx Art Space that is fostering arts education and collaborative artistic projects. She told me stories behind the art works, both the sculptural works and the collages that combine drawing and photography.  The studio is in a newly renovated building nestling at the heart of the historic urban Bronx. Firstindigo&Lifestyle: Linda, you were one of the first artists to come to this location, how was the neighborhood back then, it’s been now a good fifteen years? You did a series of artwork digging into the Bronx history, in which immigration was a theme or a subject. There seem to be real person’s story involved, including documents, such as passports with photos. Could you tell about the project that was exhibited at the Andrew Freedman house in 2012? LC: When I first moved to this historic landmarked area of the South Bronx, I began photographing the now renovated 19th …

Julian Stanczak’s color energy

If you can imagine color energy that bounces back from the walls with blues, reds, greens, and yellows with prismatic and subtle intensity that resembles music, Julian Stanczak’s paintings are for you. The seasoned painter at 86, believed in the power of the abstraction, and in the musical inspiration in his art-making, as he posed in front of his painting during the opening of his solo-exhibition in New York. Stanczak’s exhibition ‘From Life’ is now on view at the Mitchell-Inness & Nash -gallery and will run until December 6. As a young boy, the painter had wanted to be a cellist, and transferred his emotive passion into his paintings. Even a recent work from 2011, titled as ‘Proportional Mixing’ (2011), still handles colors in abstract modalities like in musical compositions. The gallery’s first solo exhibition of Stanczak’s work comprises of a dozen large-scale paintings from the 1960s to the present, including works that have not been seen in the public view for decades. Now on view are artworks, in which the colors are arranged in …

Artist spotlight: Hiroaki Umeda discusses his recent works

Japanese contemporary choreographer Hiroaki Umeda recently presented his new choreography Peripheral Stream with L.A. Dance Project at Théâtre du Châtelet in Paris. in 2013, he worked with an ensemble of 11 dancers from GöteborgsOperans Danskompani in Sweden. In the piece, Interfacial Scale, Umeda created the choreography, set, costume, light and sound design. As well as being a choreographer and dancer, Umeda is a visual artist, photographer and video artist. He established his own company S20 in 2000. Umeda has entered the international scene with his multimedia performance works that employ his own body and self-created video images, music and lighting designs. These are recorded on a single notebook computer. (On the video Hiroaki Umeda talks about the Interfacial Scale which he created for the GöteborgsOperans Danskompani in Sweden in 2013) Since he first drew attention at the 2002 Yokohama Dance Collection R, Umeda has gone on to win praise of dance professionals around the world for the way he wraps his improvisational body movement in intricately woven spaces defined by light (video) and music with the beauty …

VOLTA NY 14: art speaks back from the walls

Jennifer Wynne Reeves creates collages on boards that some include wire, some hair or feathers, and some thick applications of paint. This approach could by no means represent flat wall art. The dimensionality makes the art continue in space. Objects and paint are not decorative art either, but there is something folk-art in them; or retrospectively ”American” influences. These works suggest, as one work is titled, voluptuous meanings that are material, sensuous and touchable. Reeves writes as part of her artistic practice. Writing collide with personal meanings, and is symbolic in nature. Her statements, or poems end up being part of the artwork itself. The artist was presented at the VOLTA by New York City gallery BranvinLee programs. The art presented at the art fair spoke about her illness, which is also reflected in her writing: I think I might not be alive to go to my opening next September. I think I should rush to finish things. I wonder why my body is doing this or that. I think Christmas will be long. I …

Feeling good about my environment

I was tuning into Björk’s Joga, looking at videos of Icelandic landscape and thinking about the affective aspects of our environments. Where we grow up, the landscapes that we get used to, has an impact on us. I strongly believe that landscapes shape our emotions and our approaches to different environments. When I think about some of Björk’s own comments about the environment she grew up in, I feel the same way as she does about the North. We should reconsider the Arctic resources and the Northern environment, and take climate change more seriously. Rapid climate change would be huge threat to our landscapes, and even change our feelings about them. I recently learned about a new book, which speaks about the unspoken sites of the climate change process. “To Cook a Continent. Destructive Extraction and Climate Crisis in Africa” is a book by Nnimmo Bassey. Bassey writes about Africa, where nature and natural resources have been traditionally considered a blessing. His insight is that by using the nature in a wrong way can turn …