Julian Stanczak’s color energy

If you can imagine color energy that bounces back from the walls with blues, reds, greens, and yellows with prismatic and subtle intensity that resembles music, Julian Stanczak’s paintings are for you. The seasoned painter at 86, believed in the power of the abstraction, and in the musical inspiration in his art-making, as he posed in front of his painting during the opening of his solo-exhibition in New York. Stanczak’s exhibition ‘From Life’ is now on view at the Mitchell-Inness & Nash -gallery and will run until December 6. As a young boy, the painter had wanted to be a cellist, and transferred his emotive passion into his paintings. Even a recent work from 2011, titled as ‘Proportional Mixing’ (2011), still handles colors in abstract modalities like in musical compositions. The gallery’s first solo exhibition of Stanczak’s work comprises of a dozen large-scale paintings from the 1960s to the present, including works that have not been seen in the public view for decades. Now on view are artworks, in which the colors are arranged in geometrical forms, lingering hypnotic chromatism and possessing internal vapor, communicating energy and organic presence.

In 2000, the artist began to create small panels and combine them into wall constellations. He produces the canvases through a complex process of tape masks. The color layers are systematically added and unveiled coming out as repetitions, with spacings and rhythms. The artist relies on his own vision of a finished work without doing preliminary sketches. He emphasizes life experiences in his art, so naturally his own personal history comes to life in the artworks. Stanczak experienced huge differences in places as a young person. He was born in Poland in 1928, spent time in a labor camp in Siberia, and in Polish refugee camp in Uganda, Africa. He immigrated to the United States in 1950. He studied at the Yale University with Josef Albers and Conrad Marca-Relli graduating with M.F.A in 1956. During his formative years, the artist found his way to Phillips Collection in DC and was inspired by Paul Klee’s paintings and watercolors in the collection.

October 30—December 6, 2014
534 West 26th Street


Julian Stanczak wih his Quartet in Cadmiums, 1994, Acrylic on canvas, 4 canvases, each: 89 1/8 by 60 in.
Julian Stanczak wih Quartet in Cadmiums, 1994, Acrylic on canvas, 4 canvases, each: 89 1/8 by 60 in.

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