It is time for Helsinki Design Week (HDW). We are impressed that the locations include the Old Customs Warehouse. There will also be a fashion show in the brand new Helsinki Music Centre (designed by LPR-architects Marko Kivistö, Ola Laiho and Mikko Pulkkinen). Finnish people love their music, also for the reason that Finnish music has gained world class reputation with our composer Jean Sibelius. After Sibelius, of course, several other 20th and 21st century composers have turned into the unique sounds, which have defined Finnish art music. Perhaps one definition for the musical trends could be a word ‘moody’. It is quite easy to pin it down when one listens all the brass-instruments in Sibelius.
The new Music Centre stands in a row of other remarkable buildings along Mannerheimintie-road, which honor Finland’s musical tradition and the local arts. Next to the new construction is Alvar Aalto’s Finlandia Hall with its beautiful white marble walls. The modern classic stands out as a continuum of (evolving) organic shapes within the city landscape. Then, a little away from the center is the Opera House, which opened in 1993. The Bauhaus-inspired building was designed by prominent HKP-architects Eero Hyvämäki, Jukka Karhunen and Risto Parkkinen… As going towards the city center along Mannerheimintie, the Music Centre shares an outside green area with Kiasma Museum of Contemporary Art, Designed by American Steven Holl Architects, the museum opened in 1998.
During the Helsinki design week, a fashion dimension is added to music. As a result we have an interesting Nordic-Finnish combination of performativity. Like the musical tradition, Finnish design can be associated with some unique factors. The design and architecture take inspiration from the nature. It makes sense as the country is filled with so many forests and lakes. The nature functions not only as a source of inspiration for design patterns, but it also offers concrete materials and structures. The use of a birch tree and birch bark has been common since traditional times, for example. Birch bark was used in folk designs, and it still continues to define some of the Finnish design, which has taken new forms.
In 2010, I started imagining the future World Design Capital. How to picture one’s own hometown as a world design capital, how to find the paths, buildings, and all the details and different perspectives, which all are true and necessary in the mixture; to represent Helsinki as a place with rich history? One important step is to acknowledge our own design potential in the ways we perceive our everyday lives. To see all the creativity in the everyday life. Finally, remembering Helsinki’s amazing location and closeness to nature is a surplus to the small capital. If one does not want to take one of the cruise boats to Tallinn or Stockholm, at least a trip to one of the forests and national parks is a must!..As much as there is also international art on display (2010 there were sculptures of Manolo Valdes, picture above), and beautiful natural and man-made design around, there are also landmarks with so much historical value. This prehistoric grave is just a mile away from the city center.
see more about Helsinki architecture in this blog