WONDER exhibition celebrates the Renwick Gallery’s reopened spaces. The museum’s new statement is to bring the future of art into its program. It is now confronted with large-scale installations by nine artists. Janet Echelman is one of them with her piece 1.8, (2015). A large suspended net glides across the ceiling of the Grand Salon, which is located upstairs in the museum. The work is composed as knotted and braided fiber with programmable lighting and wind movement, above a printed textile flooring. Echelman’s sculptural installation speaks in relation to a map of energy released through the Pacific Ocean, when Japan’s Tohoku earthquake and tsunami took place on March 11, 2011. The title of the work implies the 1.8 millionths of a second, which measures the earthquake as it shifted the earth’s axis.