A 90-year old Chinese artist An Ho finds inspiration from nature and its serene beauty. Still a steady brush in her hand, she invents nature with her visionary approach. The landscapes seem like in many Chinese classical paintings, where the vision engages in the detail. Stillness of a landscape is poetic, without rush forward, yet bearing undertones of memories and dreamlike solitude. The artist who lives in Upstate New York, shows her love towards the trees and landscapes of her environment.
An Ho’s six recent paintings are on display at the CHINA 2000 FINE ART in New York City. In a way, the works on silk and paper are telling an ancient story. Ho studied techniques that were forgotten many centuries ago. The artist has revitalized this history by bringing the painting styles into life in modern times. Eventually, there is a play of translucent refinement that of color and movement.
An Ho’s mastery of the Chinese brushwork lays the basis of the landscapes. There is a sense of perception in the works, as her artistic vision develops in a close observance of nature. Each composition has its own reality, and perfection, or an entire world to narrate. If the works were a dream, they would be more perfect than a reality. They propose harmony and co-existence between man and nature.
An Ho, also known as Wen-ying, was born in 1927 in Beijing, China. Her father was chief newspaper editor, and mother was a painter of flowers. Her parents were senior members of Sun Yatsen’s revolutionary movement.
An Ho got introduced to famous Chinese traditional painter Pu Ru (1896-1963), who took her as his student and protégée. She studied 17 years with him, learning that Chinese painting takes into account both the fine quality of the art, and the personal approach and attitude of an artist. She studied with him initially in China and then in Taiwan. Master Pu Ru came from the Qing royal family. He was a poet, calligrapher and painter. Also, An Ho studied first classics and poetry, before starting arts and painting. The artist started with calligraphy, and finally learned the techniques of painting. Pu Ru’s teaching method cultivated her character as the basis for the skillful using of brush and ink. The brush is profound and important part of the technique, and the character of an artists rehearses for it.
In 1952, An Ho’s work began to be noticed by the Chinese art world. Her works have been exhibited in China, Taiwan, Germany, Italy, France and the United States.
Learn more about the exhibition of her recent paintings at the CHINA 2000 FINE ART.